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São Paulo (São Paulo)
produto novo/lacrado origem: usa tracklist 1 uh-oh, love comes to town 2:49 2 new feeling 3:09 3 tentative decisions 3:08 4 happy day 3:55 5 who is it? 1:44 6 no compassion 4:49 7 the book i read 4:10 8 don't worry about the government 3:01 9 first week/ last week... carefree 3:21 10 psycho killer 4:20 11 pulled up 4:28
R$ 119
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Rio de Janeiro (Rio de Janeiro)
Gibson Les Paul XR1 Raro modelo produzido entre 1981 a 1983. Antecessor do modelo Studio. Corpo em peça única de mogno, pesado e com Neck em 3 peças de maple. Os captadores são os famosos Dirty Fingers originais da era Tim Shaw, muito melhores e sem comparação com os Dirty Fingers atuais. Sustain absurdo, com uma tocabilidade impressionante, regulada para ação baixa, com cordas elixir 0.10. Além disso, apresenta chave "original" que transforma os captadores em single coils. Excelente estado de conservação e com poucas marcas de uso. Praticamente nova, apesar dos seus 35 anos. Difícilmente haverá uma no mesmo estado de conservação no Brasil. Instrumento para colecionadores e músicos exigentes Outras descrições: Gibson XR1 Make: Gibson Model: XR1 (Studio) Year 1981 (This guitar was made a the Nashville Plant, TN, USA) Steve Clarke (Def Leppard) had two guitars as his main tour guitars for the Pyromania tour: A Gibson Les Paul Standard and a Gibson Les Paul XR-1. This was formerly owned by Gaz Coombes of Supergrass. The XR-1 is the prelude to the Les Paul Studio. The studio came out in 1983 and so the XR-1 ran from 81-83. It is also arguably better due to non weight relief and the flexibility in pickup selection. Neck Specification Three piece laminated maple construction, width at fingerboard nut 1+11/16th", Rosewood fingerboard with pearl dot inlays, chrome plated individual machine heads, Gibson XR1 truss rod cover, 22 frets, 24+3/4" scale length. Body Specification Laminated mahogany body with a carved maple top, single cutaway, adjustable chrome plated Tune-o-matic bridge and stop bar, no binding on body, neck or headstock, body size length 17+3/8", width 12+3/4", depth 2". The pickups are two exposed black/white coil "Dirty Fingers". Apart from the usual 2 volume and 2 tone controls and the 3 way toggle switch for pick up selection it also features a coil tap switch located near the volume/tone controls which splits the pickup to a single coil tonal option.
R$ 10.500
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Rio de Janeiro (Rio de Janeiro)
POR FAVOR LEIA TODO O ANÚNCIO. ESTÁ EM 127 VOLTS. ENVIO SOMENTE SEDEX !. OBRIGADO !!! >>>> ATENÇÃO: POSSUI DOIS MACHUCADOS/ARRANHÕES (PRÓXIMO AO CARRETEL DIREITO E UM ABAIXO/PRÓXIMO AO BOTÃO DOLBY NR). NÃO ACOMPANHA OS CARRETEIS DA FOTO (FORAM UTILIZADOS PARA TESTES). ESTÁ EM 127 VOLTS. ATENÇÃO: VENDO NO ESTADO EM QUE SE ENCONTRA. SEM GARANTIAS !!! SEM GARANTIA !!! ATENÇÃO: VENDO NO ESTADO EM QUE SE ENCONTRA. SEM GARANTIAS !!! SEM GARANTIA !!! ENVIO SOMENTE POR SEDEX !!!. ENVIO SOMENTE POR SEDEX !!!. ENVIO SOMENTE POR SEDEX !!!. ENVIO SOMENTE POR SEDEX !!!. Specifications Track system: 4-track, 2-channel, stereo/monaural system Heads: 1 x GX record, 1 x GX playback, 1 x erase Motor: 2 x reel drive, 1 x capstan Reel size: up to 10.5 inch reel Tape speeds: 3 3/4 7 1/2 ips Wow and flutter: 0.06% (7 1/2 ips) Frequency response: 30Hz to 25kHz (7 1/2 ips) Signal to Noise Ratio: 57dB Total harmonic distortion: 0.5% Input: 70mV (line), 2.5mV (DIN), 0.25mV (mic) Output: 0.775V (line), 0.5V (DIN) Semiconductors: 64 x transistors, 69 X diodes, 2 X FET Dimensions: 465 X 440 X 240mm Weight: 19.5kg ÉPOCA DA AKAI, JVC, CYGNUS, YAMAHA, GRADIENTE, PIONEER, TDK, BASF, MAXWELL, SANSUI, TECHNICS, TONOS, MAGNOVOX, PHILIPS, MARANTZ E DENTRE OUTROS
R$ 2.600
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Brasilia (Distrito Federal)
Capa Bag de Couro Baixo RockBag 20205 B Produto novo e original Features: - fits most common standard electric basses body shapes - handmade from genuine hand-selected water buffalo leather - 5 layer shell (2 mm EVA foam, 5 mm Polyethylene foam, 1.5 mm plastic plate, 15 mm foam, 5 mm foam-adhered velveteen) - reinforced with a 40 mm EVA rim around the sides of the instrument - 10 mm / 3/8" wide 2-way zip with metal grip - interior velveteen lining - equipped with the Guitar-Saving-System? with Neck-Saving-System? for ultimate protection - protective leather patches above machine heads and bridge and in the lower strap button area - leather twin-handle with snap fasteners at the side - leather handle on the front - 2 padded cotton shoulder straps (80 mm / 3 1/8? wide) - front pocket above the instrument body with 3 zipper compartments - front zipper pocket above the instrument neck - protective leather flap on the bottom of the bag for added security - metal ring for hanging the bag up - metal hardware - interior height 118 cm / 46 7/16" - interior width 40 cm / 15 3/4" - interior depth 6 cm / 2 3/8" - max. body length 60 cm / 23 5/8" - weight 5,550 g / 12,24 lbs
R$ 999
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São Paulo (São Paulo)
novo origem: japão 1 god bless this mess 2 shine over babylon 3 love is free 4 peace be upon us 5 gasoline 6 out of our heads 7 detours 8 now that you're gone 9 drunk with the thought of you 10 diamond ring 11 motivation 12 make it go away (radiation song) 13 love is all there is 14 lullaby for wyatt bonus track 15 rise up 16 beautiful dream
R$ 139
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São Paulo (São Paulo)
Estamos em Pompeia/Perdizes. Equipamento perfeito para sua live ou home studio! Combo amplificador para guitarra, 40 Watts classe AB com 2 válvulas 6L6 de saída, 2 válvulas 12AX7 de pré, 1 falante 12" Celestion Vintage 30, modela 16 amplificadores + 20 efeitos, compatível com os pedais FBV Shortboard™ MkII e FBV Express™ MkII. Características - Amp valvulado Classe AB de 40W com (2) válvulas 12AX7 de preamp e (2) 6L6 de poweramp - Configuração 1X12" com um falante Celestion® Vintage 30 - 16 modelos de amps que fornecem uma completa variedade de sons desde o mais limpo até o mais insanamente distorcido - 20 Efeitos Smart FX (Até 4 simultâneos) - Quick Loop: Looper de 14-segundos - Noise Gate, Boost (+8dB pre, post ou ambos), Volume routing - Roteamento avançado e completamente ajustável com 7 parâmetros de efeito - Display LCD de duas linhas - MIDI in/out/thru - Compatível com os pedais FBV Shortboard™ MkII e FBV Express™ MkII - 128 canais programáveis de usuário - Canal de volume - Modo Manual para usar como um amplificador tradicional - Gabinete fechado closed-back - Afinador embutido no painel frontal - Knobs de controle para Bass, Mid, Treble e Drive - Saída direta XLR com dois modos de saída: Performance Mode e Studio Mode - Saída de falante simples e dupla de 1/4" para conexão de falantes auxiliares - Entrada 1/4" no power amp e saída 1/4" preamp - Peso: 20,41kg - Dimensões: 60,96x68,58x38,10cm Embalagem - Caixa de papelão - Peso bruto: 29kg - Dimensões: (CxLxA) 71x41x69cm. -------------------------- The result of a groundbreaking collaborative effort between living-legend amp designer Reinhold Bogner and renowned amp-modeling upstarts Line 6, Spider Valve MkII 112 40-watt combo amplifier offers the best of both worlds: brawny, boutique-style tube amp tone and the latest, most advanced Line 6 amp modeling with complete flexibility and deep editing. Acclaimed amp tones The Line 6 Spider Valve 112 amp has the tools and tones you need to build your sound from the ground up. It features 16 of the most advanced Line 6 amp models, which were inspired by the most revered American, British and European heads and combos. Each one was custom-tuned for Spider Valve MkII amps. Get in front of sparkling clean tones inspired by a Hiwatt Custom 100, syrupy smooth drive tones inspired by a mix of a '65 Marshall JTM-45, a '58 Fender Bassman and a '63 Fender Vibroverb, British pop/rock tones inspired by a Vox AC-30 Top Boost, high-gain onslaughts inspired by a Mesa/Boogie Dual Rectifier and a Diezel Herbert, Class A crunch inspired by a Divided by 13 9/15, classic Class A breakup inspired by an Orange AD-30, and more! Store every gig's tones with the Line 6 Spider Valve's 128 user-programmable presets. Need to shape your tone? Tweak the Line 6 Spider Valve amplifier's Bass, Mid and Treble knobs just like you would on the original vintage amps. When you choose an amp model, the EQ section behaves just like the EQ section of the modeled amplifier. Line 6
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