If there are some on

Olá somos a loja DivanoInstrumentos todos os nossos produtos são cuidadosamente selecionados para melhor satisfação dos clientes. Todos os nossos produtos acompanham nota fiscal eletrônica e enviamos para todo Brasil. Não aceitamos trocas, somente venda. Pedal M.I. Audio Crunchbox - em Excelente estado de conservação, somente o pedal sem caixas e manuais. Pedal em perfeito estado de funcionamento. The MI Audio Crunch Box Distortion Guitar Effects Pedal brings you high-gain British amp distortion in a stompbox. MI Audio did a careful study of the way that modern British style amps get their overdrive and found that there was a very big concentration of the frequency information in the midrange. The Crunch Box distortion pedal captures the huge crunch of a Marshall amp on steroids and has become one of MI Effects most popular pedals. The Crunch Box is of the fastest selling boutique distortion pedals in the world. Simple and straightforward, with just gain, tone, volume and an internal presence control, the Crunch Box is based on a multiple clipping architecture (the signal is clipped 3 times. In the lower gain range, the pedal's tone is very punchy and throaty. There are some great classic rock rhythm sounds to be found in there. As the gain is wound up, the Crunch Box develops a beautiful singing lead tone. Pinch harmonics are a breeze. The tone control has a wide sweep with a lot of top end. I have put in there more gain than anyone should need, but due to the way I handled the pre-overdrive tone shaping, the pedal always stays tight and each pickup retains its character, including single coils. The Crunch Box has a lot of volume up its sleeve. You will find though that 12 O'clock is close to 'neutral'. An Internal Presence Control helps control the 'shape' of the pedal. By winding up the presence control, the lows won't feel as powerful, which some people might find to be a bit too much. Also, this creates the effect of giving the pedal even more top end. So with the new Crunch Box, there is no chance that the pedal will be too dark. The Internal Presence Control is very useful if you wish to match the Crunch Box to your amp because some amps can be a lot brighter/darker than others. Features High Gain British Distortion at its best 3 external and one internal control Gain ? from the lightest breakup to insane high gain scream Tone ? custom taper control which adjusts the high end cut of the pedal. Volume ? tapered for a more gradual and controlled volume sweep. Internal Presence control - for adjusting the 'shape' of the Crunch Box's sonic footprint. Professionally powder-coated and silk-screened enclosure, measuring only 4.3/

UMA VERDADEIRA OBRA DE ARTE EM PERFEITO ESTADO DE CONSEVAÇÃO Tampo e Laterais: Cedro AAA Fundo:Jacarandá Tamanho da Escala: 656mm José Ramírez III (1922 ? 1995) was without doubt one of the most influential and important luthiers in the second part of the 20th century. His guitars influenced hundreds of instrument makers, many of whom imitated him, and thousands of guitarists around who played his instruments. Indirectly, he even influenced composers of the guitar who found for the first time that their music could be heard in large concert halls instead of small chamber music environments. It could be argued that José III had a more profound effect on the development of the modern guitar than any other guitar maker in history. So what was his secret, and why do we make such sweeping claims about his importance? One paramount reason is that José III was the first and only luthier to be able to standardize the process of making a classical guitar such that it could be built by any well-trained artisan, according to his precise plan and under his supervision. Moreover, the design was such that these instruments, although not made by him personally, stood up to and often exceeded the quality of the best handmade instruments of the day. ¿José Ramírez III was born in Buenos Aires, Argentina, in 1922. His father José II had left Spain for a brief tour of South America after the turn of the century and ended up staying for nearly 20 years. In I923, on the news of the death of his own father, José II moved the family back to Madrid, and it was at this time that he took over his late father?s guitar workshop. At the age of 18, José III began working as an apprentice and within a few years was building guitars and experimenting on his own. In I957, he took over the duties as ?maestro? (master) of the Ramírez workshop, which by now had spanned three generations, and he continued to develop what would become the Ramírez concert guitar that we know today. This instrument was typified by its large body, long string length, and cedar or spruce top. It had great power, as well as sustain, sweetness, a fullness of tone and a balance across the entire register. José III died in 1995 at the age of 73. Probably his most enduring contribution was his role as a teacher and as a developer of talent. We often measure a man?s greatness not only by what he achieves in his lifetime, but by what he leaves behind for others to complete, and by how he influences those in his wake. From the 1960s to the 1990s, the José Ramírez workshop had assembled and trained many of the most talented guitarreros of José III?s generation, many of whom continue to work on their own with great individual success. This collection of greatness under one roof has only been approached by that of Manuel Ramírez (José III?s great-uncle) or his grandfather, José Ramírez I, whose workshops collectively included the likes of Santos Hernández, Enrique Garcia, Domingo Esteso, Emilio Pasqual Viudes, Modesto Borreguero, Julian Goméz Ramírez and many others. José III?s roster, however, is still unmatched when you consider the number of great luthiers who began their careers there. They include Paulino Bernabé, Manuel Contreras, Mariano Tezanos, Enrique Borreguero Marcos, Pedro Contreras Valbuena, Manuel González Contreras, Miguel Malo Martínez and so on. ?I make sure that everything is done exactly as I want it,? José III told George Clinton in 1984. ?The architect doesn?t have to get involved with the bricklaying. My pupils learn from me so they know exactly what is to be done, otherwise I would do it myself. The wood and the tools have no secrets from me, and if there are problems I have to sort them out.? Quantity is not always a virtue, especially in art or the work of artisans. However, in the case of José III, his guitars became the standard for musicians worldwide because he was able to produce roughly 20,000 concert instruments during

Equipamento perfeito, estado de novo, sem marcas. A Single-Channel '73 For The Rest Of Us If there?s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the ?Holy Grail? of preamp choices today. The Warm Audio ?WA73 Family? consists of single and dual channel '73-style preamps (with & w/out EQ), that each pay careful homage to British audio history. When we at Warm Audio decided to release the WA73-EQ it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R&D, intense research and countless hours of auditioning, the WA73-EQ was born! The WA73-EQ is a ?Desert Island? boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73-EQ equally shines on all types of microphones and sources including; vocals, acoustic/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there?s no recording, mixing or engineering task that the WA73-EQ can?t handle. UK Custom Carnhill Transformers Enthusiasts unequivocally get excited about the components used in classic '73-style British preamps. The signal transformers are a common topic of conversation. Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions. These are regarded as the most desirable choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them! Warm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA73-EQ with these beautiful custom Transformers Capacitors & Signal Path An important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used. We found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style reproductions. UK Blore Edwards Switch-Pots A great sounding '73-style circuit should be just as reliable as it is great sounding. The complex dual concentric switch potentiometers in the EQ sections of the WA73-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers. The use of Blore-Edwards components is no small inclusion for a '73-style preamp-eq in this price range. Hand Wired & Hand Assembled Classic '73-style preamps were often hand-wired and so is the WA73-EQ! Guru?s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build. The WA73-EQ is hand-wired and hand assembled, including the pcb components that are all populated by hand. Technical Specifications SINGLE-CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP WITH EQ UK MADE CARNHILL TRANSFORMERS UK MADE - BLORE EDWARDS EQ DUAL-CONCENTRIC SWITCH POTENTIOMETERS HAND WIRED, HAND ASSEMBLED 80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH FULLY DISCRETE TONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE POLARITY SWITCH 48V PHANTOM POWER INDUCTOR BASED 3 BAND EQ LOW BAND BOOST/CUT - 35, 60, 110, 220 HZ MID BAND BOOST/CUT - 360, 700, 1600, 3200, 4800, 7200 HZ HIGH BAND BOOST/CUT - 10, 12, 16 KHZ ADDITIONAL HIGH BAND FREQUENCY EQ POINTS ADDED (COMPARED TO VINTAGE 1073) 4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ XLR MIC INPUTS (FRONT & BACK) LINE LEVEL TRS INPUT TS SEND/RECEIVE INSERT JACKS XLR & TRS LINE LEVEL OUTPUTS DIRECT IN, INSTRUMENT INPUT OUTPUT CONTROL LED LEVEL INDICATION FREQ RESPONSE 20HZ - 20KHZ +/-.5 DB 19/

Flash YONGNUO YN 24EX para cameras CANON apenas. PRONTA ENTREGA SP - CAPITAL Enviamos no mesmo dia para compras até 12hs SITE DO FABRICANTE: http://www.hkyongnuo.com/e-detaily.php?ID=392 Yongnuo Macro Flash YN24EX *Supports ETTL Flash Supports FEC, FEB, Front and Rear-curtain sync, FE lock, Modeling Light, Canon camera menu accessible. Supports flash ratio adjustment,there are 8 levels(1/128-1/1) for the intensity adjustment for the flash control,total 22 levels fine tuning; the tube A and tube B can flash individually,the flash index is wider and the more practical. *The Flash tube installation Install the tube on the top of the flash Install the adapter ring on the front of the lens,then install the flash tube on the adapter ring. *The flash coverage vertical angle:Upwards,downwards 90 degrees horizontal angle:inwards 60 degrees,outwards 30 degrees The rotate degree of the adapter ring: upwards 50 degrees, downwards 30 degrees The flash tube can be installed on the tripod for use. *Ultra-fast Charging Recycle System It just take 3 seconds at full output. Even if not using the brand new batteries, it just takes 4~5 seconds to recycle; *C.Fn Setting Custom Function You can customize the function as needed through the custom function. *LED focus assist light The LED focus assist light is divided into low light and highlight mode,achieve rapid precise focus. *Equipped with PC sync interface The YN24EX is equipped with standard PC synchronous interface which allows you convenient to use synchronous flash by using PC synchronous line. *Supports the lens of multiple filter size Supports the lens of the following filter size: 52mm¿58mm¿62mm¿67mm. *Low battery remind function When the battery power is insufficient,the red light will blink which remind you to replace the battery timely. *Sound prompt system When the sound prompt system is enabled, different sound modes will prompt different working conditions of the speedlite so as to allow you to focus on shooting process (Note: the sound can be turned off). *Equipped with the external power socket YN-24EX is provided with external power socket to meet your higher demand of recycling time and no longer missing the wonderful moments. *Automatic settings saving YN-24EX can automatically save your current operating settings to convenient your next use. Comes with: Adapters 52mm, 58mm, 67mm, 72mm filter lens

Descrição Flash YONGNUO YN 24EX para cameras CANON apenas. PRONTA ENTREGA SP - CAPITAL Enviamos no mesmo dia para compras até 12hs Yongnuo Macro Flash YN24EX *Supports ETTL Flash Supports FEC, FEB, Front and Rear-curtain sync, FE lock, Modeling Light, Canon camera menu accessible. Supports flash ratio adjustment,there are 8 levels(1/128-1/1) for the intensity adjustment for the flash control,total 22 levels fine tuning; the tube A and tube B can flash individually,the flash index is wider and the more practical. *The Flash tube installation Install the tube on the top of the flash Install the adapter ring on the front of the lens,then install the flash tube on the adapter ring. *The flash coverage vertical angle:Upwards,downwards 90 degrees horizontal angle:inwards 60 degrees,outwards 30 degrees The rotate degree of the adapter ring: upwards 50 degrees, downwards 30 degrees The flash tube can be installed on the tripod for use. *Ultra-fast Charging Recycle System It just take 3 seconds at full output. Even if not using the brand new batteries, it just takes 4~5 seconds to recycle; *C.Fn Setting Custom Function You can customize the function as needed through the custom function. *LED focus assist light The LED focus assist light is divided into low light and highlight mode,achieve rapid precise focus. *Equipped with PC sync interface The YN24EX is equipped with standard PC synchronous interface which allows you convenient to use synchronous flash by using PC synchronous line. *Supports the lens of multiple filter size Supports the lens of the following filter size: 52mm¿58mm¿62mm¿67mm. *Low battery remind function When the battery power is insufficient,the red light will blink which remind you to replace the battery timely. *Sound prompt system When the sound prompt system is enabled, different sound modes will prompt different working conditions of the speedlite so as to allow you to focus on shooting process (Note: the sound can be turned off). *Equipped with the external power socket YN-24EX is provided with external power socket to meet your higher demand of recycling time and no longer missing the wonderful moments. *Automatic settings saving YN-24EX can automatically save your current operating settings to convenient your next use. Comes with: Adapters 52mm, 58mm, 67mm, 72mm filter lens

Violão Elétrico Greg Bennett Samick - Rio Grande D15E (INSTRUMENTO RARO, IMPORTADO E FABRICADO NA INDONÉSIA) - ÚNICO NO BRASIL Samick Greg Bennett Design D15E Rio Grande Dreadnought Acoustic-Electric Guitar Product Description: Breaking with tradition can be a difficult task, especially in the guitar business. There are certain things that you just don?t change.With all this in mind, we forged ahead anyway. The band of turquoise dyed maple herringbone: the combination of traditional maple with the turquoise is just plain beautiful. On the performance side, we used a quarter sawn, solid cedar top for a more delicate low mid sound, and fitted it with scalloped top braces. The bracing frees up the top for faster attack and longer sustain. The sides and back are highly figured Ovangkol, for a full, rich bass response with lots of power. If you were looking for something special that maintains a degree of tradition, you will really enjoy the RIO GRANDE?. Features: - Dreadnought body shape - Solid quarter-sawn cedar top - Ovangkol back and sides - Nato mahogany set neck - Fishman® Clearwave60 preamp with onboard tuner with EQ (bass/middle/treble), phase, brilliance, notch, volume & low-battery light - Rosewood fretboard with abalone dot inlays - Rosewood bridge - Grover® Gold Rotomatic? tuners - Abalone rosette - Gold hardware - Maple body and neck binding with turquoise-dyed herringbone top purfling - 20 frets - 1.69" nut width - 25.5" scale length - 15.625" body width (at widest) - 4.75" body depth (at deepest) - Natural gloss finish Violão Elétrico Greg Bennett Samick - Rio Grande D15E (INSTRUMENTO RARO, IMPORTADO E FABRICADO NA INDONÉSIA) - ÚNICO NO BRASIL Gibson - Fender - Squier - Epiphone - Axl - Ibanez - Cort - Washburn - Tanglewood - Samick - Tagima Iphone - Samsung - Motorola - Asus - Dell - LG - Apple - Sony - Nokia - Lenovo - Lumia

Violão Elétrico Greg Bennett Samick - Rio Grande D15e (INSTRUMENTO RARO, IMPORTADO E FABRICADO NA INDONÉSIA) Samick Greg Bennett Design D15E Rio Grande Dreadnought Acoustic-Electric Guitar Product Description: Breaking with tradition can be a difficult task, especially in the guitar business. There are certain things that you just don?t change.With all this in mind, we forged ahead anyway. The band of turquoise dyed maple herringbone: the combination of traditional maple with the turquoise is just plain beautiful. On the performance side, we used a quarter sawn, solid cedar top for a more delicate low mid sound, and fitted it with scalloped top braces. The bracing frees up the top for faster attack and longer sustain. The sides and back are highly figured Ovangkol, for a full, rich bass response with lots of power. If you were looking for something special that maintains a degree of tradition, you will really enjoy the RIO GRANDE?. Features: - Dreadnought body shape - Solid quarter-sawn cedar top - Ovangkol back and sides - Nato mahogany set neck - Fishman® Clearwave60 preamp with onboard tuner with EQ (bass/middle/treble), phase, brilliance, notch, volume & low-battery light - Rosewood fretboard with abalone dot inlays - Rosewood bridge - Grover® Gold Rotomatic? tuners - Abalone rosette - Gold hardware - Maple body and neck binding with turquoise-dyed herringbone top purfling - 20 frets - 1.69" nut width - 25.5" scale length - 15.625" body width (at widest) - 4.75" body depth (at deepest) - Natural gloss finish Violão Elétrico Greg Bennett Samick - Rio Grande D15E (INSTRUMENTO RARO, IMPORTADO E FABRICADO NA INDONÉSIA) Gibson - Fender - Squier - Epiphone - Axl - Ibanez - Cort - Washburn - Tanglewood - Samick - Tagima - Yamaha Iphone - Samsung - Motorola - Asus - Dell - Microsoft - HP - LG - Apple - Sony - Nokia - Lenovo - Lumia - Google

100 Dogs of War  Samarai Art  (Inglês) Capa Comum Tsukioka Yoshitoshi's triptychs and portrait series of the 1860s were predominatly musha-e ("warrior prints"), often with added mythological elements, and invariably drawn from Japanese military history, mostly from the 12th to 16th centuries. Yoshitoshi's major musha-e series, in terms of both its scope and its dynamic visual experimentation, remains Kaidai hyaku senso, or 100 Dogs Of War. Yoshitoshi was reputedly driven to create this series in 1868 after witnessing first-hand the bloody Battle of Ueno, a decisive clash of the civil war in Japan. Although inspired by recent events, the series again depicted warriors from Japanese history, showing some clasping bloody severed heads as trophies of war, others with their own viscera spilling out from the "belly cut" of seppuku (ritual suicide), others in the heat of battle firing guns, hurling spears, wielding swords or dodging bullets. Every aspect of war is represented. There are 65 known completed prints from the series, and several surviving drawings and sketches for designs which apparently never reached fruition; failure to complete the set is attributed both to censorship and to the nervous breakdown which Yoshitoshi reportedly experienced in 1869, an event which resulted in his virtual disappearance from the ukiyo-e scene for the following two years. This Ukiyo-e Master Special edition of Yoshitoshi's 100 Dogs Of War contains not only Yoshitoshi's full set of 65 completed battle prints, reproduced in full-size and full-colour, but also several fascinating preparatory drawings for unfinished designs. The collection also features an extensive illustrated introduction on Yoshitoshi's warrior prints from 1853 to 1889, bringing the total number of colour reproductions in the book to over 90. Ukiyo-e Master Specials: presenting individual art series by the greatest print-designers and painters of Edo-period and Meiji-period Japan. Capa comum:  104 páginas ISBN-13:  978-1840683165 Dimensões do produto:  21.59 x 0.84 x 27.94 cm Editora:  Creation Books; Illustrated edição (30 junho 2014) Idioma::  Inglês Informações Adicionais Código Identificador (SKU) 9781840683165 Editora Importados

Pre-amp valvulado cópia do Vox Top Boost. Fabricado pela Kingsley Amplifiers no Canadá, com fila de espera. - Overview The Squire preamp pedal is suitable for running directly into a power amplifier, running into the effects return of an amplifier?s effects loop, recording direct when combined with a cabinet simulator or for use as a booster/second clean sound when plugged into the front end of another guitar amplifier. There are three models to choose from: the original Squire, inspired by the Dumble clean channel; the Squire BF, similar to a black face fender circuit and the Squire TB, modeled after the Vox top boost circuit. The single Tungsol 12ax7 runs at high voltage for a full, rich and dynamic tube sound. The 9VDC power supply (provided) is converted to both 6.3VDC for the tube heaters and 250VDC for the tube plates. - Features All three Squire models have controls for treble, bass and volume, as well as a 3-way mode switch. The first position of the mode switch allows the high-end presence to be rolled off, for a smooth and warm tone. Mode two is the stock position for each Squire model. Mode 3 acts as a bright switch and adds some extra top end just like a bright switch on an amp. Measurements: 3 7/8? wide x 4 ¾? deep x 2.56/

Nikon Digital SLR Camera D3100 Specifications Type Type Single-lens reflex digital camera Lens mount Nikon F mount (with AF contacts) Effective angle of view Approx. 1.5 x lens focal length (Nikon DX format) Effective pixels Effective pixels 14.2 million Image sensor Image sensor 23.1 x 15.4 mm CMOS sensor Total pixels 14.8 million Dust-reduction system Image sensor cleaning, Airflow Control System, Image Dust Off reference data (optional Capture NX 2 software required) Storage Image size (pixels) " 4,608 x 3,072 [L] " 3,456 x 2,304 [M] " 2,304 x 1,536 [S] File format " NEF (RAW) " JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression " NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats Picture Control System Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified Media SD (Secure Digital), SDHC and SDXC memory cards File system DCF (Design Rule for Camera File System) 2.0, DPOF (Digital Print Order Format), Exif 2.21 (Exchangeable Image File Format for Digital Still Cameras), PictBridge Viewfinder Viewfinder Eye-level pentamirror single-lens reflex viewfinder Frame coverage Approx. 95% horizontal and 95% vertical Magnification Approx. 0.8 x (50 mm f/1.4 lens at infinity, -1.0 m-1) Eyepoint 18 mm (-1.0 m-1) Diopter adjustment -1.7 to +0.5 m-1 Focusing screen Type B BriteView Clear Matte Mark VII screen Reflex mirror Quick return Lens aperture Instant return, electronically controlled Lens Compatible lenses " AF-S and AF-I: All functions supported. " Type G or D AF NIKKOR without built-in autofocus motor: All functions except autofocus supported. IX NIKKOR lenses not supported. " Other AF NIKKOR: All functions supported except autofocus and 3D color matrix metering II. Lenses for F3AF not supported. " Type D PC NIKKOR: All functions supported except autofocus and some shooting modes. " AI-P NIKKOR: All functions supported except autofocus and 3D color matrix metering II. " Non-CPU: Autofocus not supported. Can be used in exposure mode M, but exposure meter does not function. Note: Electronic rangefinder can be used if lens has a maximum aperture of f/5.6 or faster. Shutter Type Electronically controlled vertical-travel focal-plane shutter Speed 1/4000 to 30 s in steps of 1/3 EV, Bulb Flash sync speed X=1/200 s; synchronizes with shutter at 1/200 s or slower Release Release mode (single frame),(continuous),(self-timer),(quiet shutter release) Frame advance rate Up to 3 fps (manual focus, mode M or S, shutter speed 1/250 s or faster, and other settings at default values) Self-timer 2 s, 10 s Exposure Metering TTL exposure metering using 420-pixel RGB sensor Metering method " Matrix: 3D color matrix metering II (type G and D lenses); color matrix metering II (other CPU lenses) " Center-weighted: Weight of 75% given to 8-mm circle in center of frame " Spot: Meters 3.5-mm circle (about 2.5% of frame) centered on selected focus point Range (ISO 100, f/1.4 lens, 20°C/68°F) " Matrix or center-weighted metering: 0 to 20 EV " Spot metering: 2 to 20 EV Exposure meter coupling CPU Exposure modes Auto modes (auto, auto [flash off]); scene modes (portrait; landscape; child; sports; close up; night portrait); programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M) Exposure compensation -5 to +5 EV in increments of 1/3 EV Exposure lock Luminosity locked at detected value with AE-L/AF-L button ISO sensitivity (Recommended Exposure Index) ISO 100 to 3200 in steps of 1 EV; can also be set to approx. 1 EV above ISO 3200 (ISO 6400 equivalent) or to approx. 2 EV above ISO 3200 (ISO 12800 equivalent); auto ISO sensitivity control available Active D-Lighting On, Off Focus Autofocus Nikon Multi-CAM 1000 autofocus sensor module with TTL phase detection, 11 focus points (including one cross-type sensor), and AF-assist illuminator (range approx. 0.5 to 3m/1 ft. 8 in. to 9 ft. 10 in.) Detection range -1 to +19 EV (ISO 100, 20°C/68°F) Lens servo " Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); auto AF-S/AF-C selection (AF-A); predictive focus tracking activated automatically according to subject status " Manual focus (MF): Electronic rangefinder can be used Focus point Can be selected from 11 focus points AF-area mode Single-point AF, dynamic-area AF, auto-area AF, 3D-tracking (11 points) Focus lock Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button Flash Built-in flash Auto, Portrait, Child, Close up, Night portrait: Auto flash with auto pop-up P, S, A, M: Manual pop-up with button release Guide number Approx. 12/39, 13/43 with manual flash (m/ft, ISO 100, 20°C/68°F) Flash control " TTL: i-TTL balanced fill-flash and standard i-TTL flash for digital SLR using 420-pixel RGB sensor are available with built-in flash and SB-900, SB-800, SB-600, or SB-400 (i-TTL balanced fill-flash is available when matrixor center-weighted metering is selected) " Auto aperture: Available with SB-900/SB-800 and CPU lens " Non-TTL auto: Supported flash units include SB-900, SB-800, SB-80DX, SB-28DX, SB-28, SB-27, and SB-22S " Distance-priority manual: Available with SB-900 and SB-800 Flash mode Auto, auto with red-eye reduction, fill-flash, auto slow sync, auto slow sync with red-eye correction, and rear curtain with slow sync Flash compensation -3 to +1 EV in increments of 1/3 EV Flash-ready indicator Lights when built-in flash or optional flash unit such as SB-900, SB-800, SB-600, or SB-400 is fully charged; blinks for 3 s after flash is fired at full output Accessory shoe ISO 518 hot-shoe with sync and data contacts and safety lock Nikon Creative Lighting System (CLS) Advanced Wireless Lighting supported with SB-900, SB-800, or SU-800 as commander; Flash Color Information Communication supported with built-in flash and all CLS-compatible flash units Sync terminal Sync Terminal Adapter AS-15 (available separately) White balance White balance Auto, incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual, all except preset manual with fine tuning. Live View Lens servo " Autofocus (AF): Single-servo AF (AF-S); full-time-servo AF (AF-F) " Manual focus (MF) AF-area mode Face-priority AF, wide-area AF, normal-area AF, subject-tracking AF Autofocus Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected) Scene Auto Selector Available in auto and auto (flash off) modes Movie Metering TTL exposure metering using main image sensor Metering method Matrix Frame size (pixels) and frame rate " 1,920 x 1,080 (24p): 24 fps (23.976 fps) " 1,280 x 720 (30p): 30 fps (29.97 fps) " 1,280 x 720 (25p): 25 fps " 1,280 x 720 (24p): 24 fps (23.976 fps) " 640 x 424 (24p): 24 fps (23.976 fps) Maximum recording time 10 min. File format MOV Video compression H.264/MPEG-4 Advanced Video Coding Audio recording format Linear PCM Audio recording device Built-in monaural microphone Monitor LCD monitor 7.5-cm/3-in., approx. 230 k-dot TFT LCD with brightness adjustment Playback Playback function Full-frame and thumbnail (4, 9, or 72 images or calendar) playback with playback zoom, movie playback, slide show, histogram display, highlights, auto image rotation, and image comment (up to 36 characters) Interface USB Hi-Speed USB Video output NTSC, PAL HDMI output Type C mini-pin HDMI connector Accessory terminal " Remote cord: MC-DC2 (available separately) " GPS unit: GP-1 (available separately) Supported languages Supported languages Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Indonesian, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Russian, Spanish, Swedish, Turkish Power source Battery One Rechargeable Li-ion Battery EN-EL14 AC adapter AC adapter EH-5a; requires power connector EP-5A (available separately) Tripod socket Tripod socket 1/4 in. (ISO 1222) Dimensions / weight Dimensions (W x H x D) Approx. 124 x 96 x 74.5 mm (4.9 x 3.8 x 2.9 in.) Weight Approx. 505 g (1lb. 1.8 oz.) with battery and memory card but without body cap; Approx. 455 g / 1lb. (camera body only) Operating environment Temperature 0 to 40°C (32 to 104°F) Humidity Less than 85% (no condensation) Accessories Supplied accessories (may differ by country or area) Rechargeable Li-ion Battery EN-EL14, Battery Charger MH-24, Eyepiece Cap DK-5, Rubber Eyecap DK-20, Camera Strap AN-DC3, Accessory Shoe Cover BS-1, Body Cap BF-1B, ViewNX 2 CD-ROM, Ferrite Core (2 types) * Microsoft and Windows, Windows 7 are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. * Macintosh and QuickTime are registered trademarks or trademarks of Apple Inc. in the United States and/or other countries. * The SD logo is a trademark of the SD Card Association. * The SDXC logo is a trademark. * PictBridge is a trademark. * HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC. * Products and brand names are trademarks or registered trademarks of their respective companies. * Images in viewfinders, on LCDs and monitors shown in this website are simulated. Memory card capacity*1 The following table shows the approximate number of pictures that can be stored on a 4 GB SanDisk Extreme SDHC card at different image quality and size settings. Image quality Image size File size*1 No. of images*1 Buffer capacity*2 NEF (RAW) + JPEG fine*3 L 19.8 MB 151 9 NEF (RAW) - 12.9 MB 226 13 JPEG fine L M S 6.8 MB 3.9 MB 1.8 MB 460 815 1700 100 100 100 JPEG normal L M S 3.4 MB 2.0 MB 0.9 MB 914 1500 3300 100 100 100 JPEG basic L M S 1.7 MB 1.0 MB 0.5 MB 1700 3000 6000 100 100 100 *1: All figures are approximate. File size varies with scene recorded. *2: Maximum number of exposures that can be stored in memory buffer at ISO 100. Drops when noise reduction is on. *3: Image size applies to JPEG images only. Size of NEF (RAW) images can not be changed. File size is the total for NEF (RAW) and JPEG images. Approved memory cards The following SD memory cards have been tested and approved for use in the D3100. Cards with class 6 write speeds are recommended for movie recording. Recording may end unexpectedly when cards with slower write speeds are used. SD memory cards SDHC memory cards*2 SDXC memory cards*3 SanDisk 512 MB¿1GB¿2GB*1 4GB¿8GB¿16GB 64GB Toshiba 512 MB¿1GB¿2GB*1 4GB¿8GB¿16GB¿32GB 64GB Panasonic 512 MB¿1GB¿2GB*1 4GB¿6GB¿8GB¿12GB¿16GB¿32GB 48GB¿64GB LEXAR MEDIA 512 MB¿1GB¿2GB*1 4GB¿8GB - Platinum II 512 MB¿1GB¿2GB*1 4GB¿8GB - Professional 512 MB¿1GB¿2GB*1 4GB¿8GB¿16GB¿32GB - *1: Check that any card readers or other devices with which the card will be used support 2 GB cards. *2: Check that any card readers or other devices with which the card will be used are SDHC-compliant. *3: Check that any card readers or other devices with which the card will be used are SDXC-compliant. Notes: * Please check with the SD card manufacturer regarding features, specifications, warranty, and other items. Nikon cannot assure compatibility with SD cards not listed above. * Limited to cards tested at the time of July 2010. Additional cards may be fully compatible. Contact Nikon Customer Service for additional information.

The Walking Dead: All Out War AP Edition     Published October 1, 2014 The Walking Dead: All Out War AP Edition  is a hardcover volume that collects the "All Out War" story arc of Image Comics' The Walking Dead. This artist proof edition includes issues 115-126 into one volume, and features the original pencil artwork by Charlie Adlard, uninked and unaltered. It was published on October 1, 2014. Contents Plot Synopsis The volume starts with Rick waking up and going to the bathroom to wash his face. "So today's the day?" asks Andrea Rick replies that it is and admits that they haven't been in any conflict like this before. He pauses for a moment before also stating they can't have a war without casualties. Andrea claims that they've "been at war since the beginning." Rick proceeds to tell her something he's never told anyone before: he's had doubts about himself and what he can do. Although people always have assumed that he has everything worked out, he almost got himself killed and feels burdened by Jesus' statement about being a leader people can follow, one who can rebuild the world; "I haven't done a very good job at that." Andrea reassures Rick that what makes him different is that he keeps trying despite everything around him and "whatever comes of this... it'll be worth it." At the same time, Ezekiel gets up and thanks Michonne for letting him stay at her place. With a smile on her face she says this didn't mean anything, but he replies that neither of them know that for sure. Michonne admits there is potential for something, but right now, it doesn't. Ezekiel says that he can work with that. While they are downstairs having coffee, there's a knock on the door and Ezekiel's head of security,Richard, says that the men from the Kingdom have arrived and are ready to go. Eugene is in the factory with some workers and tells Rick that two additional cases of ammo are close to being finished, adding to what they had already made. Rick thanks Eugene for all the work that he and the others have done in making the ammo to help them in the upcoming war.     Informações Adicionais Código Identificador (SKU) 978632150387 Editora Importados