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- Bateria Acústica D One Rocket DR22 SG Bumbo 22 Banco e Pedal. - Kit de Pratos Zeus Beginner Set C 14 16 20

UMA VERDADEIRA OBRA DE ARTE EM PERFEITO ESTADO DE CONSEVAÇÃO Tampo e Laterais: Cedro AAA Fundo:Jacarandá Tamanho da Escala: 656mm José Ramírez III (1922 ? 1995) was without doubt one of the most influential and important luthiers in the second part of the 20th century. His guitars influenced hundreds of instrument makers, many of whom imitated him, and thousands of guitarists around who played his instruments. Indirectly, he even influenced composers of the guitar who found for the first time that their music could be heard in large concert halls instead of small chamber music environments. It could be argued that José III had a more profound effect on the development of the modern guitar than any other guitar maker in history. So what was his secret, and why do we make such sweeping claims about his importance? One paramount reason is that José III was the first and only luthier to be able to standardize the process of making a classical guitar such that it could be built by any well-trained artisan, according to his precise plan and under his supervision. Moreover, the design was such that these instruments, although not made by him personally, stood up to and often exceeded the quality of the best handmade instruments of the day. ¿José Ramírez III was born in Buenos Aires, Argentina, in 1922. His father José II had left Spain for a brief tour of South America after the turn of the century and ended up staying for nearly 20 years. In I923, on the news of the death of his own father, José II moved the family back to Madrid, and it was at this time that he took over his late father?s guitar workshop. At the age of 18, José III began working as an apprentice and within a few years was building guitars and experimenting on his own. In I957, he took over the duties as ?maestro? (master) of the Ramírez workshop, which by now had spanned three generations, and he continued to develop what would become the Ramírez concert guitar that we know today. This instrument was typified by its large body, long string length, and cedar or spruce top. It had great power, as well as sustain, sweetness, a fullness of tone and a balance across the entire register. José III died in 1995 at the age of 73. Probably his most enduring contribution was his role as a teacher and as a developer of talent. We often measure a man?s greatness not only by what he achieves in his lifetime, but by what he leaves behind for others to complete, and by how he influences those in his wake. From the 1960s to the 1990s, the José Ramírez workshop had assembled and trained many of the most talented guitarreros of José III?s generation, many of whom continue to work on their own with great individual success. This collection of greatness under one roof has only been approached by that of Manuel Ramírez (José III?s great-uncle) or his grandfather, José Ramírez I, whose workshops collectively included the likes of Santos Hernández, Enrique Garcia, Domingo Esteso, Emilio Pasqual Viudes, Modesto Borreguero, Julian Goméz Ramírez and many others. José III?s roster, however, is still unmatched when you consider the number of great luthiers who began their careers there. They include Paulino Bernabé, Manuel Contreras, Mariano Tezanos, Enrique Borreguero Marcos, Pedro Contreras Valbuena, Manuel González Contreras, Miguel Malo Martínez and so on. ?I make sure that everything is done exactly as I want it,? José III told George Clinton in 1984. ?The architect doesn?t have to get involved with the bricklaying. My pupils learn from me so they know exactly what is to be done, otherwise I would do it myself. The wood and the tools have no secrets from me, and if there are problems I have to sort them out.? Quantity is not always a virtue, especially in art or the work of artisans. However, in the case of José III, his guitars became the standard for musicians worldwide because he was able to produce roughly 20,000 concert instruments during

The Walking Dead: All Out War AP Edition     Published October 1, 2014 The Walking Dead: All Out War AP Edition  is a hardcover volume that collects the "All Out War" story arc of Image Comics' The Walking Dead. This artist proof edition includes issues 115-126 into one volume, and features the original pencil artwork by Charlie Adlard, uninked and unaltered. It was published on October 1, 2014. Contents Plot Synopsis The volume starts with Rick waking up and going to the bathroom to wash his face. "So today's the day?" asks Andrea Rick replies that it is and admits that they haven't been in any conflict like this before. He pauses for a moment before also stating they can't have a war without casualties. Andrea claims that they've "been at war since the beginning." Rick proceeds to tell her something he's never told anyone before: he's had doubts about himself and what he can do. Although people always have assumed that he has everything worked out, he almost got himself killed and feels burdened by Jesus' statement about being a leader people can follow, one who can rebuild the world; "I haven't done a very good job at that." Andrea reassures Rick that what makes him different is that he keeps trying despite everything around him and "whatever comes of this... it'll be worth it." At the same time, Ezekiel gets up and thanks Michonne for letting him stay at her place. With a smile on her face she says this didn't mean anything, but he replies that neither of them know that for sure. Michonne admits there is potential for something, but right now, it doesn't. Ezekiel says that he can work with that. While they are downstairs having coffee, there's a knock on the door and Ezekiel's head of security,Richard, says that the men from the Kingdom have arrived and are ready to go. Eugene is in the factory with some workers and tells Rick that two additional cases of ammo are close to being finished, adding to what they had already made. Rick thanks Eugene for all the work that he and the others have done in making the ammo to help them in the upcoming war.     Informações Adicionais Código Identificador (SKU) 978632150387 Editora Importados

DISCO DE VINIL - PAUL MCCARTNEY - FLOWERS IN THE DIRT - COM CAPA INTERNA E ENCARTE. Leia todo o anúncio e, se precisar, faça perguntas e tire todas as suas dúvidas sobre o produto. CARACTERÍSTICAS DO DISCO: HIGIENIZADO PLÁSTICO INTERNO NOVO PLÁSTICO EXTERNO GROSSO BRILHANTE 0,20 NOVO. Avaliação produto de acordo com os critérios abaixo: Disco: EX Capa: EX (ENCARTE EXCELENTE) Análise visual da conservação do produto. Disco SE: Sealed/Selado: Vinil nunca utilizado. M: Mint/Perfeito: Vinil Perfeito, sem nenhum sinal de uso. NM: Near Mint/Quase Perfeito: Vinil muito bem conservado sem marcas óbvias de uso. Eventualmente pode apresentar alguma marca visível (NM-), muito pequena e superficial. EX: Excellent/Excelente: Vinil muito bem conservado, com pouquíssimas marcas visíveis (muito leves e superficiais). VG: Very Good/ Muito Bom: Vinil bem conservado com poucas marcas visíveis mas que podem afetar a sonoridade causando algum tipo de ruído, desde que não afete mais do que uma música. G: Good/Bom: Vinil com algumas marcas visíveis que podem afetar a sonoridade, causando algum tipo de ruído em mais do que uma música. F: Fair/Regular: Vinil com muitas marcas visíveis que afetam a sonoridade ou que possam interromper a música quando for reproduzido. P: Poor/Ruim: Vinil com muitas ranhuras, riscos, bolhas ou empeno. Salta ou trava ao ser reproduzido. Capa SE: Sealed/Selado: Disco Novo, sem uso. Mantém sua embalagem original lacrada M: Mint/Perfeito: Capa Perfeita, sem sinal de uso. NM: Near Mint/Quase Perfeito: Capa muito bem conservada sem marcas de uso. Em discos com mais de 20 anos é aceitável mínimos sinais naturais do envelhecimento do material com que foi fabricada. EX: Excellent/Excelente: Capa bem conservada com pouquíssimo sinal de uso. Pode apresentar alguma leve marca na superfície, bordas ou cantos do papelão. VG: Very Good/Muito Bom: Capa Inteira com pouco sinal de uso aparente. Marcas na superfície ou bordas do papelão, pequenos descascados, manchas, desgaste da tinta no local da borda do disco. G: Good/Bom: Capa Inteira com alguns sinais de uso aparente. Marcas na superfície ou bordas do papelão, descascados, manchas, desgaste da tinta no local da borda do disco. F: Fair/Regular: Capa com sinais de uso acentuados, já com alguma deterioração, porém aceitável. P: Poor/Ruim: Capa com desgaste acentuado ou incompleta. Músicas do disco: Lado A 1. MY BRAVE FACE 2. ROUGH RIDE 3. YOU WANT HER TOO 4. DISTRACTIONS 5. WE GOT MARRIED 6. PUT IT THERE Lado B 1. FIGURE OF EIGHT 2. THIS ONE 3. DONT BE CARELESS LOVE 4. THAT DAY IS DONE 5. HOW MANY PEOPLE 6. MOTOR OF LOVE

Produto Novo/Lacrado. OBS: Não foi possível disponibilizar algumas fotos pois o site possui um sistema muito "inteligente" de checagem que considera algumas palavras impressas como sendo informações de contato ou dados pessoais, e não permite que a foto seja adicionada no anúncio. Tracklist CD-1 Everybody Else Is Doing It, So Why Can't We (The Complete Sessions 1991-1993) 1-01 I Still Do 3:17 1-02 Dreams 4:32 1-03 Sunday 4:20 1-04 Pretty 2:16 1-05 Waltzing Back 3:38 1-06 Not Sorry 4:20 1-07 Linger 4:34 1-08 Wanted 2:07 1-09 Still Can't... 3:40 1-10 I Will Always 2:42 1-11 How 2:51 1-12 Put Me Down 3:33 1-13 Reason 2:02 1-14 Them 3:42 1-15 Wh-t You Were 3:41 1-16 Liar 2:22 1-17 Pretty (Pret A Porter Movie Remix) 3:41 1-18 How (Radical Mix) 2:58 CD-2 No Need To Argue (The Complete Sessions 1994-1995) 2-01 Ode To My Family 4:31 2-02 I Can't Be With You 3:07 2-03 Twenty One 3:07 2-04 Zombie 5:06 2-05 Empty 3:26 2-06 Everything I Said 3:52 2-07 The Icicle Melts 2:54 2-08 Disappointment 4:14 2-09 Ridiculous Thoughts 4:31 2-10 Dreaming My Dreams 3:37 2-11 Yeat's Grave 2:59 2-12 Daffodil Lament 6:14 2-13 No Need To Argue 2:57 2-14 Away 2:38 2-15 I Don't Need 3:32 2-16 (They Long To Be) Close To You 2:41 2-17 So Cold In Ireland 4:45 2-18 Zombie (A Camel's Hump Remix) (Featuring [Skank] - David Jarrow, Remix - The Orb) 7:54 CD-3 To The Faithful Departed (The Complete Sessions 1996-1997) 3-01 Hollywood 5:08 3-02 Salvation 2:23 3-03 When You're Gone 4:56 3-04 Free To Decide 4:25 3-05 War Child 3:50 3-06 Forever Yellow Skies 4:09 3-07 The Rebels 3:20 3-08 Intermission 2:01 3-09 I Just Shot John Lennon 2:41 3-10 Electric Blue 4:51 3-11 I'm Still Remembering 4:48 3-12 Will You Remember? 2:49 3-13 Joe 3:22 3-14 Bosnia 5:40 3-15 Cordell 3:41 3-16 The Picture I View 2:28 3-17 Ave Maria (Featuring - Luciano Pavarotti) 4:13 3-18 Go Your Own Way 4:03 3-19 God Be With You 3:34 CD-4 Bury The Hatchet (The Complete Sessions 1998-1999) 4-01 Animal Instinct 3:31 4-02 Loud And Clear 2:45 4-03 Promises 5:27 4-04 You And Me 3:35 4-05 Just My Imagination 3:41 4-06 Shattered 3:42 4-07 Desperate Andy 3:44 4-08 Saving Grace 3:08 4-09 Copycat 2:53 4-10 W--t's On My M-nd 3:12 4-11 Delilah 3:32 4-12 Fee Fi Foo 4:47 4-13 Dying In The Sun 3:32 4-14 Sorry Son 3:28 4-15 Baby Blues 2:38 4-16 Sweetest Thing 3:34 4-17 Woman Without Pride 2:26 4-18 Such A Shame 4:23 4-19 Paparazzi On Mopeds 4:43 Notas Limited edition cd-box which includes the first four albums remastered as complete sessions 1991 - 1999 including extra tracks. CD1: Everybody Else Is Doing It, So Why Can't We (The Complete Sessions 1991-1993) (Cat# 586 708-2) Tracks 1-13 - 1-18 are bonus tracks CD2: No Need To Argue (The Complete Sessions 1994-1995) (Cat# 586 709-2) Tracks 2-14 - 2-18 are bonus tracks. Track 2-16 was originally done by Burt Bacharach and featured on his album "Interpretations". CD3: To The Faithful Departed (The Complete Sessions 1996-1997) (Cat# 586 710-2) Track 3-15 - 3-19 are bonus tracks CD4: Bury The Hatchet (The Complete Sessions 1998-1999) (Cat# 586 750-2) Tracks 4-15 - 4-19 are bonus tracks