Violao luthier marcos jackel

Violão com tampo maciço em abeto (pinho), fundo, laterais, escala e ponte em pau ferro laminado, braço em araucária. Esse é um violão único, que não faz parte do catálogo do Marcos Jackel, foi feito para mim, procurando o máximo de qualidades de um bom violão com tampo maciço de abeto (pinho). *Posso dar um desconto de R$200 reais no pagamento à vista, sem o intermédio do olxpay. Aceito troca por outro violão clássico + dinheiro.

Violão Luthier estilo Eagle GL 36, som bem parecido. Tenho desde 2003 e já fiz muito som com ele, estou vendendo pois ganhei outro. É só plugar em um amplificador e tocar. Chama no Whats App 11 9 5072 0897 Marcos Retirada no local. Não troco e nem abaixo mais o preço

Violão top de linha do Luthier Félix Olivares Com excelente volume e projeção Fundo e lateral: Jacarandá da Bahia imperial Tampo: double top de abeto alemão e cedro canadense Escala elevada Braço em mogno Escala em ébano Cavalete em Jacarandá Esse luthier encerrou suas atividades aqui na Bahia e enquanto estava na ativa construiu violões para músicos importantes como Xangai, Fábio Paes, Roberto Mendes, Mário Jorge, Marcos Pereira e outros artistas

Violão em perfeito estado de conservação, sem nenhum detalhe. Hoje para adquirir um violão deste luthier é necessário aguardar uma média de 4 anos na fila. Preço bem abaixo!

Violão de Luthier Marcos Jackel um excelente instrumento com uma ótima sonoridade muito melhor que takamine crafter e outros instrumentos muito bem feito modelo Martin d68

Corpo em frejó braço e hard maple Flamed Tarraxas gotho com trava ponte em aço inox hipshot Captadores Kent Armstrong vintage Feita pelo luthier marcos Jackel Trocas somente com volta em dinheiro considerar R$3000 pra trocas

UMA VERDADEIRA OBRA DE ARTE EM PERFEITO ESTADO DE CONSEVAÇÃO Tampo e Laterais: Cedro AAA Fundo:Jacarandá Tamanho da Escala: 656mm José Ramírez III (1922 ? 1995) was without doubt one of the most influential and important luthiers in the second part of the 20th century. His guitars influenced hundreds of instrument makers, many of whom imitated him, and thousands of guitarists around who played his instruments. Indirectly, he even influenced composers of the guitar who found for the first time that their music could be heard in large concert halls instead of small chamber music environments. It could be argued that José III had a more profound effect on the development of the modern guitar than any other guitar maker in history. So what was his secret, and why do we make such sweeping claims about his importance? One paramount reason is that José III was the first and only luthier to be able to standardize the process of making a classical guitar such that it could be built by any well-trained artisan, according to his precise plan and under his supervision. Moreover, the design was such that these instruments, although not made by him personally, stood up to and often exceeded the quality of the best handmade instruments of the day. ¿José Ramírez III was born in Buenos Aires, Argentina, in 1922. His father José II had left Spain for a brief tour of South America after the turn of the century and ended up staying for nearly 20 years. In I923, on the news of the death of his own father, José II moved the family back to Madrid, and it was at this time that he took over his late father?s guitar workshop. At the age of 18, José III began working as an apprentice and within a few years was building guitars and experimenting on his own. In I957, he took over the duties as ?maestro? (master) of the Ramírez workshop, which by now had spanned three generations, and he continued to develop what would become the Ramírez concert guitar that we know today. This instrument was typified by its large body, long string length, and cedar or spruce top. It had great power, as well as sustain, sweetness, a fullness of tone and a balance across the entire register. José III died in 1995 at the age of 73. Probably his most enduring contribution was his role as a teacher and as a developer of talent. We often measure a man?s greatness not only by what he achieves in his lifetime, but by what he leaves behind for others to complete, and by how he influences those in his wake. From the 1960s to the 1990s, the José Ramírez workshop had assembled and trained many of the most talented guitarreros of José III?s generation, many of whom continue to work on their own with great individual success. This collection of greatness under one roof has only been approached by that of Manuel Ramírez (José III?s great-uncle) or his grandfather, José Ramírez I, whose workshops collectively included the likes of Santos Hernández, Enrique Garcia, Domingo Esteso, Emilio Pasqual Viudes, Modesto Borreguero, Julian Goméz Ramírez and many others. José III?s roster, however, is still unmatched when you consider the number of great luthiers who began their careers there. They include Paulino Bernabé, Manuel Contreras, Mariano Tezanos, Enrique Borreguero Marcos, Pedro Contreras Valbuena, Manuel González Contreras, Miguel Malo Martínez and so on. ?I make sure that everything is done exactly as I want it,? José III told George Clinton in 1984. ?The architect doesn?t have to get involved with the bricklaying. My pupils learn from me so they know exactly what is to be done, otherwise I would do it myself. The wood and the tools have no secrets from me, and if there are problems I have to sort them out.? Quantity is not always a virtue, especially in art or the work of artisans. However, in the case of José III, his guitars became the standard for musicians worldwide because he was able to produce roughly 20,000 concert instruments during

Violão Rozini 7 cordas modelo profissional, tampo maciço em abeto alemão. Violão novo, sem marcas de uso, cordas novas. Troco em cavaco/cavaquinho na mesma faixa de preço, tenho preferência por cavacos de Faia, Jacarandá ou Imbuia. Analiso banjos também. Por favor, sem propostas absurdas. Me chama no chat. Meu interesse é trocas, portanto não tem menor valor pra venda. Ferreira Luthier Jefferson Barros Elias Marcos Constantino Lucenir Carlinhos Luthier N°3 ou superior