Years with continuous

Texto em inglês.Capa Dura. Formato Gigante Super heroes from the Atom to Zatara: 75 years of DC Comics In 1935, DC Comics founder Major Malcolm Wheeler-Nicholson published New Fun No. 1, the first comic book with all-new, original material—at a time when comic books were mere repositories for the castoffs of the newspaper strips. What was initially considered to be disposable media for children was well on its way to becoming the mythology of our time—the 20th century’s answer to Atlas or Zorro. More than 40,000 comic books later, in honor of the publisher’s 75th anniversary, TASCHEN has produced the single most comprehensive book on DC Comics, in an XL edition even Superman might have trouble lifting. More than 2,000 images—covers and interiors, original illustrations, photographs, film stills, and collectibles—are reproduced using the latest technology to bring the story lines, the characters, and their creators to vibrant life as they’ve never been seen before. Telling the tales behind the tomes is 38-year DC veteran Paul Levitz, whose in-depth essays trace the company’s history, from its pulp origins through to the future of digital publishing. Year-by-year timelines that fold out to nearly four feet and biographies of the legends who built DC make this an invaluable reference for any comic book fan. About the Author About the author: Paul Levitz is a comic-book fan who has worked as editor/publisher of The Comic Reader, editor of the Batman titles and others, writer of over 300 stories—including an acclaimed run on Legion of Super-Heroes—and a DC Comics executive, finishing his 38-year stint with the company as President and Publisher. He returned to writing in 2010 with a new series of Legion stories and other projects. Informações Adicionais Código Identificador (SKU) 13186 Editora Taschen

Camera fotográfica ou para filmagem sony alpha dslr-a580 com case zerada. Usada somente 4 vezes. Com entrada para microfone. Conecta direto para video. Com 2 baterias Case de proteção Sony A580 com pouquíssimo uso! Câmera muito boa, com ajustes profissionais e menu fácil de compreensão para iniciantes/avançados! Acompanha lente 18-55. Sem detalhes. Acompanha carregador e 2 baterias, além de mochila especial para câmeras que comporta todo o equipamento com folga. Manual e nota de compra. Comprada nos EUA por 1000 dollares (4500 reais) Vendendo por R$ 2.750,00 reais. Frete por conta comprador! Sony A580 - key specifications 16.2MP (effective) APS HD CMOS sensor Maximum ISO 12,800 (with a quasi-ISO 25,600 'Multi-frame NR' option) 15-point AF system with 3 cross-type AF points Contrast-detect AF in focus check live view mode Electronic level in LCD with pitch/roll indicator Switchable Memory Stick/SD card slots (only one in use at any time) Up to 7fps continuous shooting rate 1080p AVCHD movie mode with continuous AF Hinged 3 inch LCD with 921k dots 3D sweep-panorama Socket for external microphone Face-detection AF (focus via nearest phase-detection AF point) At the same time as the DSLR-A580 Sony also launched the sister model A560. The only difference between the two models is the imaging sensor. The A560 captures its images on a 14.2 MP CMOS sensor instead of the A580's 16.2 MP.

VALOR PARA TROCAS 300,00 ACEITO OUTROS EFEITOS DAS SEGUINTES MARCAS: Tenho interesse em pedais:Boss,Vox,Zoom,Nux,Mooer,Fuhrmann,Line 6,MXR,Fulltone,Stardust,Fire,TC Eletrônic,Dunlop,Ibanez e Korg. SPECIFICATIONS: ? Controls - Speed, Depth, Regen,Type, On/Off Pedal ? Jacks - Input, Out 1 (Mono), Out 2 ? Input Impedance - 1 MOhms ? Output Impedance - 100 Ohms ? Power Supply - 9V Alkaline Dry Battery ? Power Consumption - 4.8Watts (w/optional PS200R power supply) ? Battery Life - Approximately 4 hours (with continuous usage) ? Dimensions - 4 15/16?(L) x 3 1/8?(W) x 2 1/8?(H) ? Weight - 1.38 lbs

Equipamento perfeito, estado de novo, sem marcas. A Single-Channel '73 For The Rest Of Us If there?s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the ?Holy Grail? of preamp choices today. The Warm Audio ?WA73 Family? consists of single and dual channel '73-style preamps (with & w/out EQ), that each pay careful homage to British audio history. When we at Warm Audio decided to release the WA73-EQ it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R&D, intense research and countless hours of auditioning, the WA73-EQ was born! The WA73-EQ is a ?Desert Island? boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73-EQ equally shines on all types of microphones and sources including; vocals, acoustic/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there?s no recording, mixing or engineering task that the WA73-EQ can?t handle. UK Custom Carnhill Transformers Enthusiasts unequivocally get excited about the components used in classic '73-style British preamps. The signal transformers are a common topic of conversation. Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions. These are regarded as the most desirable choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them! Warm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA73-EQ with these beautiful custom Transformers Capacitors & Signal Path An important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used. We found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style reproductions. UK Blore Edwards Switch-Pots A great sounding '73-style circuit should be just as reliable as it is great sounding. The complex dual concentric switch potentiometers in the EQ sections of the WA73-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers. The use of Blore-Edwards components is no small inclusion for a '73-style preamp-eq in this price range. Hand Wired & Hand Assembled Classic '73-style preamps were often hand-wired and so is the WA73-EQ! Guru?s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build. The WA73-EQ is hand-wired and hand assembled, including the pcb components that are all populated by hand. Technical Specifications SINGLE-CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP WITH EQ UK MADE CARNHILL TRANSFORMERS UK MADE - BLORE EDWARDS EQ DUAL-CONCENTRIC SWITCH POTENTIOMETERS HAND WIRED, HAND ASSEMBLED 80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH FULLY DISCRETE TONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE POLARITY SWITCH 48V PHANTOM POWER INDUCTOR BASED 3 BAND EQ LOW BAND BOOST/CUT - 35, 60, 110, 220 HZ MID BAND BOOST/CUT - 360, 700, 1600, 3200, 4800, 7200 HZ HIGH BAND BOOST/CUT - 10, 12, 16 KHZ ADDITIONAL HIGH BAND FREQUENCY EQ POINTS ADDED (COMPARED TO VINTAGE 1073) 4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ XLR MIC INPUTS (FRONT & BACK) LINE LEVEL TRS INPUT TS SEND/RECEIVE INSERT JACKS XLR & TRS LINE LEVEL OUTPUTS DIRECT IN, INSTRUMENT INPUT OUTPUT CONTROL LED LEVEL INDICATION FREQ RESPONSE 20HZ - 20KHZ +/-.5 DB 19/

Câmera Digital FujiFilm FinePix S1800 FinePix S1800 em ótimo estado, pouco usada. Acompanha bolsa e alsa emborrachada. Number of effective pixels*1  12.2 megapixels CCD sensor  1/2.3-inch CCD Storage media  Internal memory (Approx. 23MB) SD memory card SDHC memory card*2 File format Still image: JPEG (Exif Ver. 2.2*3) Movie: AVI (Motion JPEG) with sound Audio: WAVE format, Monaural sound (Design rule for Camera File system compliant / DPOF-compatible) Number of recorded pixels  Still image: L: 4,000 x 3,000 (4:3) / 4,000 x 2,664 (3:2) / 4,000 x 2,248 (16:9) M: 2,816 x 2,112 (4:3) / 2,816 x 1,864 (3:2) / 2,816 x 1,584 (16:9) S: 2,048 x 1,536 (4:3) / 2,048 x 1,360 (3:2) / 1,920 x 1,080 (16:9) Lens  Fujinon 18x optical zoom lens, F3.1 (Wide) - F5.6 (Telephoto) Lens focal length  f=5.0 - 90.0mm, equivalent to 28 - 504mm on a 35mm camera Digital zoom  Approx. 6.3x up to 113.4x with optical zoom Aperture  Wide: F3.1 / F6.4, Telephoto: F5.6 / F11.0 with ND filter Focus distance (from lens surface) Normal: Wide: Approx. 40cm / 1.3ft. to infinity Telephoto: Approx. 2.5m / 8.2ft. to infinity Macro: Wide: Approx. 5cm - 3.0m / 0.2ft. - 9.8ft. Telephoto: Approx. 1.8m - 3.0m / 5.9ft. - 9.8ft. Super Macro: Approx. 2cm - 1.0m / 0.1ft. - 3.3ft. Sensitivity  Auto / Equivalent to ISO 64 / 100 / 200 / 400 / 800 / 1600 / 3200* / 6400* (Standard Output Sensitivity) *3M pixels or lower Exposure control  TTL 256-zones metering, spot, multi Exposure mode  Programmed AE, Shutter Priority AE, Aperture Priority AE, Manual Shooting modes Mode Dial: SR AUTO, Auto, P, S, A, M, Custom, Movie, Panorama, SP SP: Portrait, Landscape, Sport, Night, Night (Tripod), Fireworks, Sunset, Snow, Natural Light, Natural Light & with Flash, Beach, Party, Flower, Text, Smile, Zoom Braketing Image Stabilizer  CCD-shift type Shutter speed  (Auto mode) 1/4sec. to 1/2000sec. (All other modes) 8sec. to 1/2000sec., (with mechanical shutter) Continuous shooting  Top-3 (Up to 1.3fps; max. 3 frames) Top-10 (Up to 3.3fps; max. 10 frames; size (M) Top-20 (Up to 8fps; max. 20 frames; size (S) Last-3: (Up to 1.3fps; last 3 frames recorded) Long-period (Up to 1.3fps; maximum number of frames varies with image size and available memory) Focus  Single AF, Continuous AF White balance  Automatic scene recognition Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Custom Self-timer  Approx. 10sec. / 2sec. delay Flash  Auto flash Effective range (ISO AUTO): Normal: Wide: Approx. 40cm - 8m / 1.3ft. - 26.2ft. Telephoto: Approx. 2.5m - 4.4m / 8.2ft. - 14.4ft. Macro: Wide: Approx. 30cm - 3m / 1ft. - 9.8ft. Telephoto: Approx. 1.8m - 3m / 1ft. - 5.9ft. Flash modes Red-eye removal OFF: Auto, Forced Flash, Off, Slow Synchro. Red-eye removal ON: Auto with Red-eye removal, Forced Flash with Red-eye Removal, Off, Slow Sync with Red-eye Removal. Electronic viewfinder (EVF)  0.2-in., Approx. 200,000 dots color LCD viewfinder Approx. 99% (shooting), 100% (playback) LCD monitor  3.0-inch, Approx. 230,000 dots, color LCD monitor, Approx. 97% coverage for shooting, and 100% coverage for playback Movie recording  1,280 x 720 pixels (30 frames/sec.) / 640 x 480 pixels / 320 x 240 pixels (30 frames/sec.) with monaural sound Photography functions  Instant zoom, Intelligent Face Detection with red-eye removal, High-speed shooting, Best framing, Frame number memory, Histogram display, Silent mode Playback functions  Intelligent Face Detection, Red-eye removal, Micro thumbnail, Multi-frame playback, Sort-by-date, Cropping, Resize, Slideshow, Image Rotation, Voice memo, Histogram display, Exposure warning Video output  NTSC / PAL selectable Digital interface  USB 2.0 High-speed Power supply*4  4x AA type alkaline batteries (included) 4x AA type Ni-MH rechargeable batteries (sold separately) 4x AA type lithium batteries (sold separately) DC coupler CP-04 with AC power adapter AC-5VX (sold separately) Dimensions  110.2 (W) x 73.4 (H) x 81.4(D) mm / 4.3 (W) x 2.9 (H) x 3.2 (D) in. (excluding accessories and attachments) Weight  Approx. 337g / 11.9oz. Preço à vista 380,00

nikon d850 filmmaker s kit itens inclusos no Kit: Nikon D850 Filmmaker's Kit D850 Front View D850 Back View Nikon D-850 Body AF-S NIKKOR 20mm f/1.8G ED Lens AF-S NIKKOR 35mm f/1.8G ED Lens AF-S NIKKOR 85mm f/1.8G Lens Spare EN-EL15a Lithium-Ion Battery ME-1 Stereo Microphone ME-W1 Wireless Microphone Set Atomos Ninja Flame 7" Recording Monitor Imaging Lens Mount Nikon F Camera Format Full-Frame (1.0x Crop Factor) Pixels Actual: 46.89 Megapixel Effective: 45.7 Megapixel Max Resolution 45.4 MP: 8256 x 5504 Aspect Ratio 1:1, 3:2, 4:5 Sensor Type / Size CMOS, 35.9 x 23.9 mm File Formats Still Images: JPEG, RAW, TIFF Movies: MOV, MP4, MPEG-4 AVC/H.264 Audio: AAC, Linear PCM (Stereo) Bit Depth 14-Bit Dust Reduction System Yes Memory Card Type XQD SD SDHC SDXC Focus Control Focus Type Autofocus Focus Mode Automatic (A), Continuous-Servo AF (C), Manual Focus (M), Single-servo AF (S) Autofocus Points Phase Detection: 153 (99 Cross-Type) Viewfinder/Display Viewfinder Type Pentaprism Viewfinder Eye Point 17.00 mm Viewfinder Coverage 100% Viewfinder Magnification Approx. 0.75x Diopter Adjustment -3 to +1 m Display Screen 3.2" Rear Touchscreen Tilting LCD (2,359,000) Screen Coverage 100% Diagonal Angle of View 170.0° Exposure Control ISO Sensitivity Auto, 64-25600 (Extended Mode: Auto, 32-102400) Shutter 30 - 1/8000 Second, Bulb Mode Remote Control MC-30A/MC-36A, ML-3, WR-R10/WR-A10, WR-1 (Optional) Mirror Lock-Up Yes Metering Method 3D Color Matrix Metering, Center-Weighted Average Metering, Spot Metering, Highlight Weighted Exposure Modes Modes: Aperture Priority, Manual, Program, Shutter Priority Metering Range: EV -3.0 - EV 20.0 Compensation: -5 EV to +5 EV (in 1/3, 1/2 or 1 EV Steps) Buffer/Continuous Shooting Up to 7 fps at 45.7 MP for up to 51 Frames in Raw Format White Balance Modes Auto, Cloudy, Color Temperature, Direct Sunlight, Fine, Flash, Fluorescent, Fluorescent (White), Incandescent, Neutral White, Preset Manual, Shade Flash Flash Modes First-Curtain Sync Rear Sync Red-Eye Reduction Slow Sync Slow Sync/Red-Eye Reduction Built-in Flash No Max Sync Speed 1 / 250 Second Flash Compensation -3 EV to +1 EV (in 1/3, 1/2 or 1 EV steps) Dedicated Flash System iTTL External Flash Connection Hot Shoe, PC Terminal AV Recording Video Recording Yes, NTSC/PAL Video Format 3840 x 2160p at 23.98/25/29.97 fps (H.264) 1920 x 1080p at 23.98/25/29.97/50/59.94/120 fps (H.264) 1280 x 720p at 50/59.94 fps Aspect Ratio 16:9 Exposure Control Manual: Shutter Speed, Aperture, ISO Focus Manual Continuous Auto Max Video Clip Length 3840 x 2160 at 30 fps: 29 Minutes, 59 Seconds Audio Recording Built-In Mic: With Video (Stereo) Optional External Mic: With Video (Stereo) Performance Self Timer 20 Seconds, 10 Seconds, 5 Seconds, 2 Seconds Interval Recording Yes Connectivity 1/8" Headphone, 1/8" Microphone, HDMI C (Mini), Nikon 10-Pin, X-Sync Socket, USB 3.0 Micro-B Wi-Fi Capable Yes Power Battery 1 x EN-EL15a Rechargeable Lithium-Ion Battery Pack AC Power Adapter EH-5c/EH-5b (Optional) Operating/Storage Temperature Operating 32 to 104°F (0 to 40°C) Humidity: 0 - 85% Physical Dimensions (W x H x D) 5.7 x 4.9 x 3.1" / 146.0 x 124.0 x 78.5 mm Weight 2.01 lb / 915 g Packaging Info Box Dimensions (LxWxH) 9.6 x 6.4 x 5.8" AF-S NIKKOR 20mm f/1.8G ED Lens Performance Focal Length 20mm Comparable 35mm Equivalent on DX Format Focal Length: 30 mm Aperture Maximum: f/1.8 Minimum: f/16 Camera Mount Type Nikon F Format Compatibility 35mm Film / Full-Frame Digital Sensor APS-C Angle of View 94° DX Picture Angle: 70° Minimum Focus Distance 7.9" (20.07 cm) Magnification 0.23x Maximum Reproduction Ratio 1:4.35 Optical Design 13 Elements in 11 Groups Diaphragm Blades 7 Features Image Stabilization No Autofocus Yes Tripod Collar No Physical Filter Thread Front: 77 mm Dimensions (DxL) Approx. 3.2 x 3.1" (81.28 x 78.74 mm) Weight 12.6 oz (357 g) Packaging Info Box Dimensions (LxWxH) 8.031 x 5.197 x 5.039" AF-S NIKKOR 35mm f/1.8G ED Lens Performance Focal Length 35mm Comparable 35mm Equivalent on DX Format Focal Length: 52.5 mm Aperture Maximum: f/1.8 - 16 Camera Mount Type Nikon F Format Compatibility Nikon FX/35mm Film Nikon DX Angle of View 63° DX Picture Angle: 44° Minimum Focus Distance 9.84" (25 cm) Magnification 0.16x Maximum Reproduction Ratio 1:6 Optical Design 11 Elements in 8 Groups Diaphragm Blades 7, Rounded Features Image Stabilization No Autofocus Yes Tripod Collar No Physical Filter Thread Front: 58 mm Dimensions (DxL) Approx. 2.83 x 2.81" (72 x 71.5 mm) Weight 10.76 oz (305 g) Packaging Info Box Dimensions (LxWxH) 8.4 x 5.2 x 5.1" AF-S NIKKOR 85mm f/1.8G Lens Performance Focal Length 85mm Comparable 35mm Equivalent on DX Format Focal Length: 127.5 mm Aperture Maximum: f/1.8 Minimum: f/16 Camera Mount Type Nikon F Format Compatibility Nikon FX/35mm Film Nikon DX Angle of View 28° 30' DX Picture Angle: 18° 50' Minimum Focus Distance 2.62' (.8 m) Magnification 0.12x Maximum Reproduction Ratio 1:8.33 Optical Design 9 Elements in 9 Groups Diaphragm Blades 7, Rounded Features Image Stabilization No Autofocus Yes Tripod Collar No Physical Filter Thread Front: 67 mm Dimensions (DxL) Approx. 3.1 x 2.9" (7.87 x 7.37 cm) Weight 12.35 oz (350 g) Packaging Info Box Dimensions (LxWxH) 8.4 x 5.1 x 5.0" EN-EL15a Rechargeable Lithium-Ion Battery Chemistry Lithium-ion Packaging Info Box Dimensions (LxWxH) 3.1 x 2.2 x 1.4" ME-1 Stereo Microphone Type Back-electret condenser microphone (unidirectional) Channels 2 - stereo Frequency Response 70-16,000 Hz Sensitivity -42 dB +/- 3 dB / 0 dB=1 V/Pa, 1 kHz Signal to Noise Ratio 60 dB or more Output Impedance 2.2k Ohm or less Power Supplied by camera Plug Gold-plated, L-shaped stereo mini-pin plug (3.5 mm) Filter Controlled by low-cut filter switch (ON/OFF) Dimensions 1.5 x 3.0 x 3.2" (38 x 79 x 87 mm) Additional Info Unidirectional Supplied accessories: microphone body, wind screen, soft case Packaging Info Box Dimensions (LxWxH) 7.1 x 4.6 x 2.4" ME-W1 Wireless Microphone Set Communication Method Bluetooth Standard Version 3.0 Communication Distance Approximately 164' (50 m) Directional Characteristic Non-directional, monaural Battery 1.5V AAA alkaline or Ni-MH rechargeable battery Battery Life Approximately 3 hours Volume Adjustable Earphone Jack 3.5mm mini-jack Indicators Bluetooth condition, battery power Switch Power on/off Clip Yes Input Monaural input via microphone, stereo input via optional external ME-1 stereo microphone Sound Mixing (mono and stereo, mono and mono), sound delay suppressive function, echo cancellation, noise cancellation, popping sound cancellation Audio Interface Stereo/dual-mono audio codec, analogue audio input, analogue audio output Water Resistance IPX5 Packaging Info Box Dimensions (LxWxH) 7.0 x 4.6 x 2.3" Ninja Flame 7" 4K HDMI Recording Monitor Display Type 7.1" (18 cm) IPS capacitive touchscreen Resolution 1920 x 1200 325 ppi Bit Depth 10-bit (8-bit plus FRC) Video Aspect Ratio Native: 16:9 Brightness 1500 cd/m² LUT Support 3D LUT (.cube file format) Interface Inputs 1 x HDMI (1.4b) 1 x 2.5 mm LANC 1 x 3.5 mm stereo mini-jack (Mic / Line) Outputs 1 x HDMI (1.4b) loop-through output 1 x 3.5 mm headphone jack Supported Video Format Supported Signal Input: 10 / 8-bit 4:2:2 (dependent on video source) Output: 10 / 8-bit 4:2:2 (dependent on video source) Input/Output Resolutions 2160p 24/25/30 1080p 24/25/30/50/60/120 1080i 50/60 720p 50/60 Encoding Formats UHD 4K (3840 x 2160): Apple ProRes HQ, 422, LT DNxHR HQX, HQ, SQ, LB 1920 x 1080: Apple ProRes HQ, 422, LT DNxHD 220x, 220, 145, 36 Pulldown Conversion 24/25/30PsF to 24/25/30p (2:2 pulldown) 60i to 24p (3:2 pulldown) Audio Input / Output HDMI 2 or 8-channel, 24-bit (camera dependent) Audio Input 3.5 mm (Mic / Line in), 2-channel, 48 kHz, 24-bit Audio Output 3.5 mm headphone jack Remote Operation HDMI Auto HDMI trigger Supported Protocols: Canon, Sony, Atomos Open Standard LANC Supports slave configuration Recording Media Supported Media 4K: 2.5" SSD HD High Frame Rate (50/60/120p): 2.5" SSD 2.5" HDD (7200 rpm and up) for 1080p 50/60 HD (30p and Less): 2.5" SSD 2.5" HDD (5400 rpm and up) Note: Only use media that has been approved by Atomos Master Caddy Dock Interface: 2.5" SATA to USB 2.0/3.0 Supported Applications Final Cut Pro X/7+ Avid Media Composer 5.0+ Adobe Premiere 5.5+ Grass Valley EDIUS 6.0+ Sony Vegas Pro 10+ Lightworks Autodesk Smoke 2015 XML Support FCPX XML native, FCP7 supported with conversion (Adobe compatible) General Power Requirements 6.2 to 16.8 VDC (battery or DC power input) Power Consumption 10 to 24 W Supported Battery Types 2 x Sony L-Series type Battery Life 5200 mAh: Up to 1.5 hours (monitor and record 4K) 7800 mAh: Up to 2.2 hours (monitor and record 4K) Construction ABS polycarbonate Dimensions 8.4 x 5 x 1.8" (21.4 x 12.7 x 4.5 cm) Weight Without Batteries & Media: 1.4 lb (0.62 kg) With Batteries & Media: 2.3 lb (1.06 kg) Packaging Info Box Dimensions (LxWxH) 10.0 x 6.693 x 4.331"

SOB ENCOMENDA - UTILIZAR CAMPO DE PERGUNTAS. Nikon d850 filmmaker s kit itens inclusos no Kit: Nikon D850 Filmmaker's Kit Nikon D-850 Body AF-S NIKKOR 20mm f/1.8G ED Lens AF-S NIKKOR 35mm f/1.8G ED Lens AF-S NIKKOR 85mm f/1.8G Lens Spare EN-EL15a Lithium-Ion Battery ME-1 Stereo Microphone ME-W1 Wireless Microphone Set Atomos Ninja Flame 7" Recording Monitor Imaging Lens Mount Nikon F Camera Format Full-Frame (1.0x Crop Factor) Pixels Actual: 46.89 Megapixel Effective: 45.7 Megapixel Max Resolution 45.4 MP: 8256 x 5504 Aspect Ratio 1:1, 3:2, 4:5 Sensor Type / Size CMOS, 35.9 x 23.9 mm File Formats Still Images: JPEG, RAW, TIFF Movies: MOV, MP4, MPEG-4 AVC/H.264 Audio: AAC, Linear PCM (Stereo) Bit Depth 14-Bit Dust Reduction System Yes Memory Card Type XQD SD SDHC SDXC Focus Control Focus Type Autofocus Focus Mode Automatic (A), Continuous-Servo AF (C), Manual Focus (M), Single-servo AF (S) Autofocus Points Phase Detection: 153 (99 Cross-Type) Viewfinder/Display Viewfinder Type Pentaprism Viewfinder Eye Point 17.00 mm Viewfinder Coverage 100% Viewfinder Magnification Approx. 0.75x Diopter Adjustment -3 to +1 m Display Screen 3.2" Rear Touchscreen Tilting LCD (2,359,000) Screen Coverage 100% Diagonal Angle of View 170.0° Exposure Control ISO Sensitivity Auto, 64-25600 (Extended Mode: Auto, 32-102400) Shutter 30 - 1/8000 Second, Bulb Mode Remote Control MC-30A/MC-36A, ML-3, WR-R10/WR-A10, WR-1 (Optional) Mirror Lock-Up Yes Metering Method 3D Color Matrix Metering, Center-Weighted Average Metering, Spot Metering, Highlight Weighted Exposure Modes Modes: Aperture Priority, Manual, Program, Shutter Priority Metering Range: EV -3.0 - EV 20.0 Compensation: -5 EV to +5 EV (in 1/3, 1/2 or 1 EV Steps) Buffer/Continuous Shooting Up to 7 fps at 45.7 MP for up to 51 Frames in Raw Format White Balance Modes Auto, Cloudy, Color Temperature, Direct Sunlight, Fine, Flash, Fluorescent, Fluorescent (White), Incandescent, Neutral White, Preset Manual, Shade Flash Flash Modes First-Curtain Sync Rear Sync Red-Eye Reduction Slow Sync Slow Sync/Red-Eye Reduction Built-in Flash No Max Sync Speed 1 / 250 Second Flash Compensation -3 EV to +1 EV (in 1/3, 1/2 or 1 EV steps) Dedicated Flash System iTTL External Flash Connection Hot Shoe, PC Terminal AV Recording Video Recording Yes, NTSC/PAL Video Format 3840 x 2160p at 23.98/25/29.97 fps (H.264) 1920 x 1080p at 23.98/25/29.97/50/59.94/120 fps (H.264) 1280 x 720p at 50/59.94 fps Aspect Ratio 16:9 Exposure Control Manual: Shutter Speed, Aperture, ISO Focus Manual Continuous Auto Max Video Clip Length 3840 x 2160 at 30 fps: 29 Minutes, 59 Seconds Audio Recording Built-In Mic: With Video (Stereo) Optional External Mic: With Video (Stereo) Performance Self Timer 20 Seconds, 10 Seconds, 5 Seconds, 2 Seconds Interval Recording Yes Connectivity 1/8" Headphone, 1/8" Microphone, HDMI C (Mini), Nikon 10-Pin, X-Sync Socket, USB 3.0 Micro-B Wi-Fi Capable Yes Power Battery 1 x EN-EL15a Rechargeable Lithium-Ion Battery Pack AC Power Adapter EH-5c/EH-5b (Optional) Operating/Storage Temperature Operating 32 to 104°F (0 to 40°C) Humidity: 0 - 85% Physical Dimensions (W x H x D) 5.7 x 4.9 x 3.1" / 146.0 x 124.0 x 78.5 mm Weight 2.01 lb / 915 g Packaging Info Box Dimensions (LxWxH) 9.6 x 6.4 x 5.8" AF-S NIKKOR 20mm f/1.8G ED Lens Performance Focal Length 20mm Comparable 35mm Equivalent on DX Format Focal Length: 30 mm Aperture Maximum: f/1.8 Minimum: f/16 Camera Mount Type Nikon F Format Compatibility 35mm Film / Full-Frame Digital Sensor APS-C Angle of View 94° DX Picture Angle: 70° Minimum Focus Distance 7.9" (20.07 cm) Magnification 0.23x Maximum Reproduction Ratio 1:4.35 Optical Design 13 Elements in 11 Groups Diaphragm Blades 7 Features Image Stabilization No Autofocus Yes Tripod Collar No Physical Filter Thread Front: 77 mm Dimensions (DxL) Approx. 3.2 x 3.1" (81.28 x 78.74 mm) Weight 12.6 oz (357 g) Packaging Info Box Dimensions (LxWxH) 8.031 x 5.197 x 5.039" AF-S NIKKOR 35mm f/1.8G ED Lens Performance Focal Length 35mm Comparable 35mm Equivalent on DX Format Focal Length: 52.5 mm Aperture Maximum: f/1.8 - 16 Camera Mount Type Nikon F Format Compatibility Nikon FX/35mm Film Nikon DX Angle of View 63° DX Picture Angle: 44° Minimum Focus Distance 9.84" (25 cm) Magnification 0.16x Maximum Reproduction Ratio 1:6 Optical Design 11 Elements in 8 Groups Diaphragm Blades 7, Rounded Features Image Stabilization No Autofocus Yes Tripod Collar No Physical Filter Thread Front: 58 mm Dimensions (DxL) Approx. 2.83 x 2.81" (72 x 71.5 mm) Weight 10.76 oz (305 g) Packaging Info Box Dimensions (LxWxH) 8.4 x 5.2 x 5.1" AF-S NIKKOR 85mm f/1.8G Lens Performance Focal Length 85mm Comparable 35mm Equivalent on DX Format Focal Length: 127.5 mm Aperture Maximum: f/1.8 Minimum: f/16 Camera Mount Type Nikon F Format Compatibility Nikon FX/35mm Film Nikon DX Angle of View 28° 30' DX Picture Angle: 18° 50' Minimum Focus Distance 2.62' (.8 m) Magnification 0.12x Maximum Reproduction Ratio 1:8.33 Optical Design 9 Elements in 9 Groups Diaphragm Blades 7, Rounded Features Image Stabilization No Autofocus Yes Tripod Collar No Physical Filter Thread Front: 67 mm Dimensions (DxL) Approx. 3.1 x 2.9" (7.87 x 7.37 cm) Weight 12.35 oz (350 g) Packaging Info Box Dimensions (LxWxH) 8.4 x 5.1 x 5.0" EN-EL15a Rechargeable Lithium-Ion Battery Chemistry Lithium-ion Packaging Info Box Dimensions (LxWxH) 3.1 x 2.2 x 1.4" ME-1 Stereo Microphone Type Back-electret condenser microphone (unidirectional) Channels 2 - stereo Frequency Response 70-16,000 Hz Sensitivity -42 dB +/- 3 dB / 0 dB=1 V/Pa, 1 kHz Signal to Noise Ratio 60 dB or more Output Impedance 2.2k Ohm or less Power Supplied by camera Plug Gold-plated, L-shaped stereo mini-pin plug (3.5 mm) Filter Controlled by low-cut filter switch (ON/OFF) Dimensions 1.5 x 3.0 x 3.2" (38 x 79 x 87 mm) Additional Info Unidirectional Supplied accessories: microphone body, wind screen, soft case Packaging Info Box Dimensions (LxWxH) 7.1 x 4.6 x 2.4" ME-W1 Wireless Microphone Set Communication Method Bluetooth Standard Version 3.0 Communication Distance Approximately 164' (50 m) Directional Characteristic Non-directional, monaural Battery 1.5V AAA alkaline or Ni-MH rechargeable battery Battery Life Approximately 3 hours Volume Adjustable Earphone Jack 3.5mm mini-jack Indicators Bluetooth condition, battery power Switch Power on/off Clip Yes Input Monaural input via microphone, stereo input via optional external ME-1 stereo microphone Sound Mixing (mono and stereo, mono and mono), sound delay suppressive function, echo cancellation, noise cancellation, popping sound cancellation Audio Interface Stereo/dual-mono audio codec, analogue audio input, analogue audio output Water Resistance IPX5 Packaging Info Box Dimensions (LxWxH) 7.0 x 4.6 x 2.3" Ninja Flame 7" 4K HDMI Recording Monitor Display Type 7.1" (18 cm) IPS capacitive touchscreen Resolution 1920 x 1200 325 ppi Bit Depth 10-bit (8-bit plus FRC) Video Aspect Ratio Native: 16:9 Brightness 1500 cd/m² LUT Support 3D LUT (.cube file format) Interface Inputs 1 x HDMI (1.4b) 1 x 2.5 mm LANC 1 x 3.5 mm stereo mini-jack (Mic / Line) Outputs 1 x HDMI (1.4b) loop-through output 1 x 3.5 mm headphone jack Supported Video Format Supported Signal Input: 10 / 8-bit 4:2:2 (dependent on video source) Output: 10 / 8-bit 4:2:2 (dependent on video source) Input/Output Resolutions 2160p 24/25/30 1080p 24/25/30/50/60/120 1080i 50/60 720p 50/60 Encoding Formats UHD 4K (3840 x 2160): Apple ProRes HQ, 422, LT DNxHR HQX, HQ, SQ, LB 1920 x 1080: Apple ProRes HQ, 422, LT DNxHD 220x, 220, 145, 36 Pulldown Conversion 24/25/30PsF to 24/25/30p (2:2 pulldown) 60i to 24p (3:2 pulldown) Audio Input / Output HDMI 2 or 8-channel, 24-bit (camera dependent) Audio Input 3.5 mm (Mic / Line in), 2-channel, 48 kHz, 24-bit Audio Output 3.5 mm headphone jack Remote Operation HDMI Auto HDMI trigger Supported Protocols: Canon, Sony, Atomos Open Standard LANC Supports slave configuration Recording Media Supported Media 4K: 2.5" SSD HD High Frame Rate (50/60/120p): 2.5" SSD 2.5" HDD (7200 rpm and up) for 1080p 50/60 HD (30p and Less): 2.5" SSD 2.5" HDD (5400 rpm and up) Note: Only use media that has been approved by Atomos Master Caddy Dock Interface: 2.5" SATA to USB 2.0/3.0 Supported Applications Final Cut Pro X/7+ Avid Media Composer 5.0+ Adobe Premiere 5.5+ Grass Valley EDIUS 6.0+ Sony Vegas Pro 10+ Lightworks Autodesk Smoke 2015 XML Support FCPX XML native, FCP7 supported with conversion (Adobe compatible) General Power Requirements 6.2 to 16.8 VDC (battery or DC power input) Power Consumption 10 to 24 W Supported Battery Types 2 x Sony L-Series type Battery Life 5200 mAh: Up to 1.5 hours (monitor and record 4K) 7800 mAh: Up to 2.2 hours (monitor and record 4K) Construction ABS polycarbonate Dimensions 8.4 x 5 x 1.8" (21.4 x 12.7 x 4.5 cm) Weight Without Batteries & Media: 1.4 lb (0.62 kg) With Batteries & Media: 2.3 lb (1.06 kg) Packaging Info Box Dimensions (LxWxH) 10.0 x 6.693 x 4.331"

Acompanha: Camera mirrorless EOS M Flash dedicado Canon Speedlite 90EX Lente Canon 22mm F2.0 Carregador de bateria Bolsa para máquina e flash Capa protetora para flash Canon EOS M key features New EF-M lens mount (optimized for APS-C sensor size) 18MP APS-C 'Hybrid CMOS' sensor Continuous autofocus in movie mode with subject tracking 14-bit DIGIC5 processor ISO 100-12800 standard, 25600 expanded 4.3 fps continuous shooting, 3 fps with autofocus tracking 1080p30 video recording, stereo sound (with 25p or 24p options) External microphone socket and adjustable sound recording level 1040k dot 3:2 touch-sensitive ClearView II LCD (capacitative type, multi-touch support) Standard EOS hot-shoe for external flash (no built-in flash) 'Creative Filters' image-processing controls, previewed live on-screen

NOVA CAMERA DA CANON inclui a preco de custo 1 bateria extra original 1 grip 1 sd de 64 gb 1 bag Canon 6D Mark II Specs Imaging Lens Mount Canon EF Camera Format Full-Frame (1.0x Crop Factor) Pixels Actual: 27.1 Megapixel Effective: 26.2 Megapixel Max Resolution 26 MP: 6240 x 4160 Aspect Ratio 1:1, 3:2, 4:3, 16:9 Sensor Type / Size CMOS, 35.9 x 24 mm File Formats Still Images: JPEG, RAW Movies: MJPEG, MOV, MP4, MPEG-4 AVC/H.264 Audio: AAC Bit Depth 14-Bit Dust Reduction System Yes Memory Card Type SDXC SDHC SD Image Stabilization Digital, 5-Way Focus Control Focus Type Auto & Manual Focus Mode Automatic (A), Continuous-Servo AF (C), Manual Focus (M), Single-servo AF (S) Autofocus Points Phase Detection: 45 (45 Cross-Type) Viewfinder/Display Viewfinder Type Optical Viewfinder Eye Point 21.00 mm Viewfinder Coverage 98% Viewfinder Magnification Approx. 0.71x Diopter Adjustment -3 to +1 m Display Screen 3" Swivel Touchscreen LCD (1,040,000) Screen Coverage 100% Diagonal Angle of View 170.0° Exposure Control ISO Sensitivity Auto, 100-40000 (Extended Mode: 50-102400) Shutter Type: Mechanical Speed: 30 - 1/4000 Second, Bulb Mode Remote Control TC-80N3, RS-80N3 (Optional) Mirror Lock-Up Yes Metering Method Center-Weighted Average Metering, Evaluative Metering, Partial Metering, Spot Metering Exposure Modes Modes: Aperture Priority, Auto, Manual, Programmed Auto, Shutter Priority Metering Range: EV 1.0 - EV 20.0 Compensation: -5 EV to +5 EV (in 1/3 or 1/2 EV Steps) Continuous Shooting Up to 6.5 fps at 26.2 MP Up to 3 fps at 26.2 MP White Balance Modes Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten Flash Built-in Flash No Max Sync Speed Mechanical Shutter:1 / 180 Second Flash Compensation -3 EV to +3 EV (in 1/3 or 1/2 EV steps) Dedicated Flash System eTTL External Flash Connection Hot Shoe AV Recording Video Recording Yes, NTSC Video Format 1920 x 1080p at 23.98, 29.97, 59.94 fps 1280 x 720p at 29.97, 59.94 fps Aspect Ratio 16:9 Frame Rate @ 1920 x 1080: 60 fps, 30 fps, 24 fps @ 1280 x 720: 60 fps, 30 fps Exposure Control Auto: Shutter Speed, Aperture, ISO Manual: Shutter Speed, Aperture, ISO ISO Sensitivity Auto, 100 - 25600 Exposure Compensation -3 EV to +3 EV (in 1/3 EV steps) Focus Auto Manual Continuous Auto Max Video Clip Length 1920 x 1080: 29 Minutes, 59 Seconds Audio Recording Built-In Mic: With Video (Stereo) Optional External Mic: With Video (Stereo) Performance Start-up Time 0.2 seconds Shutter Lag 0.06 seconds Self Timer 10 Seconds, 2 Seconds Interval Recording Yes Connectivity 1/8" Microphone, Canon N3, HDMI C (Mini), Mini-USB, USB 2.0 Wi-Fi Capable Yes Power Battery 1 x LP-E6N Rechargeable Lithium-Ion Battery Pack, 7.2 VDC, 1865 mAh AC Power Adapter AC-E6N with DR-E6 (Optional) Operating/Storage Temperature Operating 32 to 104°F (0 to 40°C) Humidity: 0 - 85% Physical Dimensions (WxHxD) 5.7 x 4.4 x 2.9" / 144.0 x 110.5 x 74.8 mm Weight 1.51 lb / 685 g body only

Nikon Digital SLR Camera D3100 Specifications Type Type Single-lens reflex digital camera Lens mount Nikon F mount (with AF contacts) Effective angle of view Approx. 1.5 x lens focal length (Nikon DX format) Effective pixels Effective pixels 14.2 million Image sensor Image sensor 23.1 x 15.4 mm CMOS sensor Total pixels 14.8 million Dust-reduction system Image sensor cleaning, Airflow Control System, Image Dust Off reference data (optional Capture NX 2 software required) Storage Image size (pixels) " 4,608 x 3,072 [L] " 3,456 x 2,304 [M] " 2,304 x 1,536 [S] File format " NEF (RAW) " JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression " NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats Picture Control System Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified Media SD (Secure Digital), SDHC and SDXC memory cards File system DCF (Design Rule for Camera File System) 2.0, DPOF (Digital Print Order Format), Exif 2.21 (Exchangeable Image File Format for Digital Still Cameras), PictBridge Viewfinder Viewfinder Eye-level pentamirror single-lens reflex viewfinder Frame coverage Approx. 95% horizontal and 95% vertical Magnification Approx. 0.8 x (50 mm f/1.4 lens at infinity, -1.0 m-1) Eyepoint 18 mm (-1.0 m-1) Diopter adjustment -1.7 to +0.5 m-1 Focusing screen Type B BriteView Clear Matte Mark VII screen Reflex mirror Quick return Lens aperture Instant return, electronically controlled Lens Compatible lenses " AF-S and AF-I: All functions supported. " Type G or D AF NIKKOR without built-in autofocus motor: All functions except autofocus supported. IX NIKKOR lenses not supported. " Other AF NIKKOR: All functions supported except autofocus and 3D color matrix metering II. Lenses for F3AF not supported. " Type D PC NIKKOR: All functions supported except autofocus and some shooting modes. " AI-P NIKKOR: All functions supported except autofocus and 3D color matrix metering II. " Non-CPU: Autofocus not supported. Can be used in exposure mode M, but exposure meter does not function. Note: Electronic rangefinder can be used if lens has a maximum aperture of f/5.6 or faster. Shutter Type Electronically controlled vertical-travel focal-plane shutter Speed 1/4000 to 30 s in steps of 1/3 EV, Bulb Flash sync speed X=1/200 s; synchronizes with shutter at 1/200 s or slower Release Release mode (single frame),(continuous),(self-timer),(quiet shutter release) Frame advance rate Up to 3 fps (manual focus, mode M or S, shutter speed 1/250 s or faster, and other settings at default values) Self-timer 2 s, 10 s Exposure Metering TTL exposure metering using 420-pixel RGB sensor Metering method " Matrix: 3D color matrix metering II (type G and D lenses); color matrix metering II (other CPU lenses) " Center-weighted: Weight of 75% given to 8-mm circle in center of frame " Spot: Meters 3.5-mm circle (about 2.5% of frame) centered on selected focus point Range (ISO 100, f/1.4 lens, 20°C/68°F) " Matrix or center-weighted metering: 0 to 20 EV " Spot metering: 2 to 20 EV Exposure meter coupling CPU Exposure modes Auto modes (auto, auto [flash off]); scene modes (portrait; landscape; child; sports; close up; night portrait); programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M) Exposure compensation -5 to +5 EV in increments of 1/3 EV Exposure lock Luminosity locked at detected value with AE-L/AF-L button ISO sensitivity (Recommended Exposure Index) ISO 100 to 3200 in steps of 1 EV; can also be set to approx. 1 EV above ISO 3200 (ISO 6400 equivalent) or to approx. 2 EV above ISO 3200 (ISO 12800 equivalent); auto ISO sensitivity control available Active D-Lighting On, Off Focus Autofocus Nikon Multi-CAM 1000 autofocus sensor module with TTL phase detection, 11 focus points (including one cross-type sensor), and AF-assist illuminator (range approx. 0.5 to 3m/1 ft. 8 in. to 9 ft. 10 in.) Detection range -1 to +19 EV (ISO 100, 20°C/68°F) Lens servo " Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); auto AF-S/AF-C selection (AF-A); predictive focus tracking activated automatically according to subject status " Manual focus (MF): Electronic rangefinder can be used Focus point Can be selected from 11 focus points AF-area mode Single-point AF, dynamic-area AF, auto-area AF, 3D-tracking (11 points) Focus lock Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button Flash Built-in flash Auto, Portrait, Child, Close up, Night portrait: Auto flash with auto pop-up P, S, A, M: Manual pop-up with button release Guide number Approx. 12/39, 13/43 with manual flash (m/ft, ISO 100, 20°C/68°F) Flash control " TTL: i-TTL balanced fill-flash and standard i-TTL flash for digital SLR using 420-pixel RGB sensor are available with built-in flash and SB-900, SB-800, SB-600, or SB-400 (i-TTL balanced fill-flash is available when matrixor center-weighted metering is selected) " Auto aperture: Available with SB-900/SB-800 and CPU lens " Non-TTL auto: Supported flash units include SB-900, SB-800, SB-80DX, SB-28DX, SB-28, SB-27, and SB-22S " Distance-priority manual: Available with SB-900 and SB-800 Flash mode Auto, auto with red-eye reduction, fill-flash, auto slow sync, auto slow sync with red-eye correction, and rear curtain with slow sync Flash compensation -3 to +1 EV in increments of 1/3 EV Flash-ready indicator Lights when built-in flash or optional flash unit such as SB-900, SB-800, SB-600, or SB-400 is fully charged; blinks for 3 s after flash is fired at full output Accessory shoe ISO 518 hot-shoe with sync and data contacts and safety lock Nikon Creative Lighting System (CLS) Advanced Wireless Lighting supported with SB-900, SB-800, or SU-800 as commander; Flash Color Information Communication supported with built-in flash and all CLS-compatible flash units Sync terminal Sync Terminal Adapter AS-15 (available separately) White balance White balance Auto, incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual, all except preset manual with fine tuning. Live View Lens servo " Autofocus (AF): Single-servo AF (AF-S); full-time-servo AF (AF-F) " Manual focus (MF) AF-area mode Face-priority AF, wide-area AF, normal-area AF, subject-tracking AF Autofocus Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected) Scene Auto Selector Available in auto and auto (flash off) modes Movie Metering TTL exposure metering using main image sensor Metering method Matrix Frame size (pixels) and frame rate " 1,920 x 1,080 (24p): 24 fps (23.976 fps) " 1,280 x 720 (30p): 30 fps (29.97 fps) " 1,280 x 720 (25p): 25 fps " 1,280 x 720 (24p): 24 fps (23.976 fps) " 640 x 424 (24p): 24 fps (23.976 fps) Maximum recording time 10 min. File format MOV Video compression H.264/MPEG-4 Advanced Video Coding Audio recording format Linear PCM Audio recording device Built-in monaural microphone Monitor LCD monitor 7.5-cm/3-in., approx. 230 k-dot TFT LCD with brightness adjustment Playback Playback function Full-frame and thumbnail (4, 9, or 72 images or calendar) playback with playback zoom, movie playback, slide show, histogram display, highlights, auto image rotation, and image comment (up to 36 characters) Interface USB Hi-Speed USB Video output NTSC, PAL HDMI output Type C mini-pin HDMI connector Accessory terminal " Remote cord: MC-DC2 (available separately) " GPS unit: GP-1 (available separately) Supported languages Supported languages Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Indonesian, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Russian, Spanish, Swedish, Turkish Power source Battery One Rechargeable Li-ion Battery EN-EL14 AC adapter AC adapter EH-5a; requires power connector EP-5A (available separately) Tripod socket Tripod socket 1/4 in. (ISO 1222) Dimensions / weight Dimensions (W x H x D) Approx. 124 x 96 x 74.5 mm (4.9 x 3.8 x 2.9 in.) Weight Approx. 505 g (1lb. 1.8 oz.) with battery and memory card but without body cap; Approx. 455 g / 1lb. (camera body only) Operating environment Temperature 0 to 40°C (32 to 104°F) Humidity Less than 85% (no condensation) Accessories Supplied accessories (may differ by country or area) Rechargeable Li-ion Battery EN-EL14, Battery Charger MH-24, Eyepiece Cap DK-5, Rubber Eyecap DK-20, Camera Strap AN-DC3, Accessory Shoe Cover BS-1, Body Cap BF-1B, ViewNX 2 CD-ROM, Ferrite Core (2 types) * Microsoft and Windows, Windows 7 are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. * Macintosh and QuickTime are registered trademarks or trademarks of Apple Inc. in the United States and/or other countries. * The SD logo is a trademark of the SD Card Association. * The SDXC logo is a trademark. * PictBridge is a trademark. * HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC. * Products and brand names are trademarks or registered trademarks of their respective companies. * Images in viewfinders, on LCDs and monitors shown in this website are simulated. Memory card capacity*1 The following table shows the approximate number of pictures that can be stored on a 4 GB SanDisk Extreme SDHC card at different image quality and size settings. Image quality Image size File size*1 No. of images*1 Buffer capacity*2 NEF (RAW) + JPEG fine*3 L 19.8 MB 151 9 NEF (RAW) - 12.9 MB 226 13 JPEG fine L M S 6.8 MB 3.9 MB 1.8 MB 460 815 1700 100 100 100 JPEG normal L M S 3.4 MB 2.0 MB 0.9 MB 914 1500 3300 100 100 100 JPEG basic L M S 1.7 MB 1.0 MB 0.5 MB 1700 3000 6000 100 100 100 *1: All figures are approximate. File size varies with scene recorded. *2: Maximum number of exposures that can be stored in memory buffer at ISO 100. Drops when noise reduction is on. *3: Image size applies to JPEG images only. Size of NEF (RAW) images can not be changed. File size is the total for NEF (RAW) and JPEG images. Approved memory cards The following SD memory cards have been tested and approved for use in the D3100. Cards with class 6 write speeds are recommended for movie recording. Recording may end unexpectedly when cards with slower write speeds are used. SD memory cards SDHC memory cards*2 SDXC memory cards*3 SanDisk 512 MB¿1GB¿2GB*1 4GB¿8GB¿16GB 64GB Toshiba 512 MB¿1GB¿2GB*1 4GB¿8GB¿16GB¿32GB 64GB Panasonic 512 MB¿1GB¿2GB*1 4GB¿6GB¿8GB¿12GB¿16GB¿32GB 48GB¿64GB LEXAR MEDIA 512 MB¿1GB¿2GB*1 4GB¿8GB - Platinum II 512 MB¿1GB¿2GB*1 4GB¿8GB - Professional 512 MB¿1GB¿2GB*1 4GB¿8GB¿16GB¿32GB - *1: Check that any card readers or other devices with which the card will be used support 2 GB cards. *2: Check that any card readers or other devices with which the card will be used are SDHC-compliant. *3: Check that any card readers or other devices with which the card will be used are SDXC-compliant. Notes: * Please check with the SD card manufacturer regarding features, specifications, warranty, and other items. Nikon cannot assure compatibility with SD cards not listed above. * Limited to cards tested at the time of July 2010. Additional cards may be fully compatible. Contact Nikon Customer Service for additional information.

24,2 MP APS-C CMOS Sensor Processador de Imagem DIGIC 6 Touchscreen Vari-Angular de 3,0 "com 1,04 m de Ponto Gravação de Vídeo Full HD 1080p a 60 qps Sistema AF de 45 pontos para todos os tipos cruzados Pixels Dual CMOS AF ISO 25600 expandido, até 7 qps de disparo Wi-Fi integrado com NFC Sensor de Medição RGB + IR 7560-Pixel Imagem Montagem da lente Canon EF Canon EF-S Formato de câmera APS-C (fator de colheita 1.6x) Píxeis Real: 25.8 Megapixel Efetivo: 24.2 Megapixels Resolução máxima 24 MP: 6000 x 4000 Proporção da tela 1: 1, 3: 2, 4: 3, 16: 9 Tipo / tamanho do sensor CMOS, 22,5 x 15 mm Formatos de arquivo Fotografias: JPEG, RAW Filmes: MOV, MP4, MPEG-4 AVC / H.264 Áudio: AAC, PCM Linear (Estéreo) Profundidade de Bit 14 bits Sistema de Redução de Poeira sim Memory Card Type SD SDHC SDXC Focus Control Focus Type Autofocus Focus Mode Continuous-Servo AF (C), Manual Focus (M), Single-servo AF (S) Autofocus Points Phase Detection: 45 (45 Cross-Type) Viewfinder/Display Viewfinder Type Pentaprism Viewfinder Eye Point 22.00 mm Viewfinder Coverage 100% Viewfinder Magnification Approx. 0.95x Diopter Adjustment -3.0 to +1.0 m Display Screen 3" Rear Touchscreen Swivel LCD (1,040,000) Screen Coverage 100% Diagonal Angle of View 170.0° Exposure Control ISO Sensitivity Auto, 100-16000 (Extended Mode: 100-25600) Shutter 30 - 1/8000 Second, Bulb Mode Remote Control RC-6, RS-60E3, TC-80N3 with RA-E3 Adapter (Optional) Metering Method Center-Weighted Average Metering, Evaluative Metering, Partial Metering, Spot Metering Exposure Modes Modes: Aperture Priority, Manual, Program, Shutter Priority Metering Range: EV 1.0 - EV 20.0 Compensation: -5 EV to +5 EV (in 1/3 or 1/2 EV Steps) Buffer/Continuous Shooting Up to 7 fps at 24.2 MP for up to 25 Frames in Raw Format Up to 7 fps at 24.2 MP for up to 110 Frames in JPEG Format Up to 3 fps at 24.2 MP White Balance Modes Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten Flash Built-in Flash Yes Guide No. 39.37' (12 m) ISO100 Max Sync Speed 1 / 250 Second Flash Compensation -3 EV to +3 EV (in 1/3 or 1/2 EV steps) Dedicated Flash System eTTL External Flash Connection Hot Shoe AV Recording Video Recording Yes, NTSC Video Format 1920 x 1080p at 23.98/29.97 fps (90 Mb/s MOV) 1920 x 1080p at 59.94 fps (60 Mb/s MOV) 1920 x 1080p at 23.98/29.97 fps (30 Mb/s MP4) 1920 x 1080p at 29.97 fps (12 Mb/s MP4) 1280 x 720p at 59.94 fps (26 Mb/s MP4) 1280 x 720p at 29.97 fps (4 Mb/s MP4) Aspect Ratio 16:9 Exposure Control Auto: Shutter Speed, Aperture, ISO Manual: Shutter Speed, Aperture, ISO ISO Sensitivity Auto/Manual, 100 - 12800, Expandable to 25600 Exposure Compensation -3 EV to +3 EV (in 1/3 or 1/2 EV steps) Focus Auto Manual Continuous Auto Max Video Clip Length 1920 x 1080: 29 Minutes, 59 Seconds Audio Recording Built-In Mic: With Video (Stereo) Optional External Mic: With Video (Stereo) Performance Shutter Lag 0.06 seconds Self Timer 10 Seconds, 2 Seconds Interval Recording Yes Connectivity 1/8" Headphone, 1/8" Microphone, HDMI C (Mini), USB 2.0 Micro-B Wi-Fi Capable Yes Power Battery 1 x LP-E6N Rechargeable Lithium-Ion Battery Pack, 7.2 VDC, 1865 mAh AC Power Adapter AC-E6N (Optional) Operating/Storage Temperature Operating 32 to 113°F (0 to 45°C) Humidity: 0 - 85% Physical Dimensions (W x H x D) 5.5 x 4.1 x 3.1" / 139.0 x 105.2 x 78.5 mm Weight 1.61 lb / 730 g based on CIPA guidelines Packaging Info Package Weight 3.55 lb Box Dimensions (LxWxH) 9.5 x 7.1 x 5.4"

Pedal gringo de compressor e booster. Um dos melhores que existe. Aceito case pedais. The Barber Tone Press: Tone and Sustain with ?Plug and Play? Performance. Bringing together the very best of classic guitar compression and time-honored recording techniques. The Barber Tone Press is a revolutionary performance compression pedal that has no rival. A remarkable Tonal Breakthrough: How We Did It In research and development, Barber studied the problems associated with classic guitar compressors and their recent clones and found that, while the clone-makers build pedals with improved components (cleaner switching, in particular) and matched transistors, a few of the major drawbacks of those ?vintage? designs still exist. The most glaring drawback of popular classic compressors is that they reverse the guitar?s phase and cause a ?pop? that squashes the attack at the beginning of every note. Although we now see some compression units that have attack controls, they leave a bit to be desired as they require seemingly endless trial and error tweaking, and still no true solution to gracefully removing the pop. Parallel compression is the solution. a Barber innovation that blows away having to deal with attack, ratio and release knobs of other so-called "studio compressors." Barber developed a one-of-a-kind proprietary continuous ?blend control? circuit, and combined it with a discrete ?Class A? FET mixer circuit to allow you to continuously blend the natural signal of your carefully selected guitar with a ?phase-corrected? classic compression circuit. The result? What guitar players have always wanted, unaltered attack and supernatural sustain and resonance. No studio engineering degree required. ? Precision components- Panasonic supply capacitors and metal film resistors for low noise. _ ?True bypass switching with led indicator- this is achieved by using an high grade switch, in addendum Solid 20 gauge copper hookup wire is used between the jacks and switching to create a transparent bypass. _ ? Full size pots- for durability and for easy serviceability if needed. _ ? Cast aluminum enclosure-our incredibly durable enclosure will last a lifetime! _ ? Double sided pc board with plate through holes-This is the way the military does it when they want electronics to work FOREVER! all pedals should be made this way, few are. NEW FEATURES! Elna silk particulate audio caps, Panasonic and Wima film caps. Enhanced circuit with 2-3db increased available output to help match higher output pickups. Barber is the pioneer of compression pedals with adjustable blend, the first ever to market a "parallel compressor"

UMA VERDADEIRA OBRA DE ARTE EM PERFEITO ESTADO DE CONSEVAÇÃO Tampo e Laterais: Cedro AAA Fundo:Jacarandá Tamanho da Escala: 656mm José Ramírez III (1922 ? 1995) was without doubt one of the most influential and important luthiers in the second part of the 20th century. His guitars influenced hundreds of instrument makers, many of whom imitated him, and thousands of guitarists around who played his instruments. Indirectly, he even influenced composers of the guitar who found for the first time that their music could be heard in large concert halls instead of small chamber music environments. It could be argued that José III had a more profound effect on the development of the modern guitar than any other guitar maker in history. So what was his secret, and why do we make such sweeping claims about his importance? One paramount reason is that José III was the first and only luthier to be able to standardize the process of making a classical guitar such that it could be built by any well-trained artisan, according to his precise plan and under his supervision. Moreover, the design was such that these instruments, although not made by him personally, stood up to and often exceeded the quality of the best handmade instruments of the day. ¿José Ramírez III was born in Buenos Aires, Argentina, in 1922. His father José II had left Spain for a brief tour of South America after the turn of the century and ended up staying for nearly 20 years. In I923, on the news of the death of his own father, José II moved the family back to Madrid, and it was at this time that he took over his late father?s guitar workshop. At the age of 18, José III began working as an apprentice and within a few years was building guitars and experimenting on his own. In I957, he took over the duties as ?maestro? (master) of the Ramírez workshop, which by now had spanned three generations, and he continued to develop what would become the Ramírez concert guitar that we know today. This instrument was typified by its large body, long string length, and cedar or spruce top. It had great power, as well as sustain, sweetness, a fullness of tone and a balance across the entire register. José III died in 1995 at the age of 73. Probably his most enduring contribution was his role as a teacher and as a developer of talent. We often measure a man?s greatness not only by what he achieves in his lifetime, but by what he leaves behind for others to complete, and by how he influences those in his wake. From the 1960s to the 1990s, the José Ramírez workshop had assembled and trained many of the most talented guitarreros of José III?s generation, many of whom continue to work on their own with great individual success. This collection of greatness under one roof has only been approached by that of Manuel Ramírez (José III?s great-uncle) or his grandfather, José Ramírez I, whose workshops collectively included the likes of Santos Hernández, Enrique Garcia, Domingo Esteso, Emilio Pasqual Viudes, Modesto Borreguero, Julian Goméz Ramírez and many others. José III?s roster, however, is still unmatched when you consider the number of great luthiers who began their careers there. They include Paulino Bernabé, Manuel Contreras, Mariano Tezanos, Enrique Borreguero Marcos, Pedro Contreras Valbuena, Manuel González Contreras, Miguel Malo Martínez and so on. ?I make sure that everything is done exactly as I want it,? José III told George Clinton in 1984. ?The architect doesn?t have to get involved with the bricklaying. My pupils learn from me so they know exactly what is to be done, otherwise I would do it myself. The wood and the tools have no secrets from me, and if there are problems I have to sort them out.? Quantity is not always a virtue, especially in art or the work of artisans. However, in the case of José III, his guitars became the standard for musicians worldwide because he was able to produce roughly 20,000 concert instruments during

* Este produto vem China DESCRIÇÃO Características: Cute Digital Camera for Kids: design bonito e brilhante cor, atraente para as crianças, além dos adesivos incluídos desenhos animados para DIY, as crianças vão adorar à primeira vista. Tirar fotografias e gravar vídeos: Com ecrã LCD de 2,0 polegadas, sensor GC0308 CMOS e microfone incorporado, pode tirar fotografias fantásticas, mas também gravar vídeos vívidos. Operação simples e engraçada: Apenas 5 botões de controle, fáceis para as crianças operarem; suporta efeitos especiais, molduras, efeitos de filtro e alguns jogos simples, o que torna mais interessante para jogar. Durável e Anti-queda: escudo de plástico de alta qualidade, durável e anti-queda; vem com uma alça para crianças para pendurar a câmera no pescoço para evitar quedas acidentais ou perdidas. Conveniente Design Recarregável: Built-in bateria de lítio recarregável e vem com cabo de carregamento USB, longo tempo de trabalho e conveniente para recarregar. ESPECIFICACIONES This little cute digital camera is specially designed for kids. With bright color design and 2.0 LCD display, it can not only take photos, but also can record videos. An ideal choice of Christmas gift, New Year present, birthday gift for kids. They will fall in love with photography with it! |Features Cute Digital Camera for Kids: cute and bright color design, attractive to kids, plus the included cartoon stickers for DIY, kids will love it at first sight. Taking Photos and Recording Videos: With 2.0 inch LCD display, GC0308 CMOS sensor and built-in microphone, it can not only take beautiful pictures, but also can record vivid videos. Simple and Funny Operation: Only 5 control buttons, easy for kids to operate; supports special effects, picture frames, filter effects and some simple games, which makes it more interesting to play. Durable and Anti-drop: High-quality plastic shell, durable and anti-drop; comes with a strap for kids to hang the camera on their neck to prevent accidental falling down or lost. Convenient Rechargeable Design: Built-in rechargeable lithium battery and comes with USB charging cable, long working time and convenient to recharge. |Specifications Color: Blue/ Pink(optional) Display: 2.0 inch Resolution: 720 * 320 Pixel Sensor: GC0308 CMOS/ 300,000 pixel sensor/ Up to 12 million Lens: fixed focus lens F/2.6 F=5.0 Focus Range: 0.5mm/infinity Image: JPG 3M/2M/1.3M/VGA Video: JPEG VGA/720P/1080P Continuous Shooting: open/ turn off Shooting Method: off/self-timer(2s)/ selfie(5s)/ selfie(10s) Automatic Shut-down: off/ 1min/ 3min/ 5min Storage: TF card(not included) PC Interface: USB 2.0 Power Supply: 1 * Built-in Polymer Battery(3.7V 400mAh) Language: English / French / Chinese/ Japanese/ Korean/ Italian/ German/ Czech/ Russian/ Thai Item Size: 8.3 * 4.6 * 4.5cm / 3.3 * 1.8 * 1.8in Item Weight: 52g / 1.8oz Package Size: 10.5 * 9 * 7cm/ 4.1 * 3.5 * 2.8in Package Weight: 142g / 5oz |Package List 1 * Camera 1 * USB Cable 1 * Neck Strap  

Les Paul Studio Mahogany Exclusive White Satin Guitarra bem nova, com aluns detalhes quase invisíveis. Ever since its introduction in 1983, the Les Paul Studio model has been enormously popular with players seeking the power and versatility of the original Les Paul Standard in a ready-for-action package, with a price to match. The instruments' reduced ornamentation?lacking body or fingerboard binding, and using plainer tops?has helped to put them in the hands of many more players, while their adherence to the Les Paul's hardware, pickup and construction traditions retained all the thick, meaty tone and unsurpassed playability for which the Standard has been known for nearly 60 years. The Gibson Les Paul Studio Mahogany Exclusive combines these assets in a new instrument with a carved mahogany top for a subtle tonal shift when compared to the traditional maple top, and two exclusive finishes, each paired with a baked maple fingerboard. Combine all this with a pair of Gibson's most popular humbucking pickups ever, and a classic hardware complement, and you have a no-nonsense classic for rock, blues, fusion, or any musical style you care to apply it to. Obs: Case que acompanha é o da primeira foto, não é original, é genérico