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Single oasis some


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Rio de Janeiro (Rio de Janeiro)
Single Oasis "Some Might Say". Importado. Item de colecionador! Raridade!
R$ 26
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São Paulo (São Paulo)
produto novo, nunca foi utilizado. conforme fotos. origem: estados unidos item exclusivo distribuído apenas para os membros do fã-clube oficial. Tracklist A1 Last Soldier B1 Indifference C1 Gimme Some Truth D1 I Just Want To Have Something To Do Créditos Recorded By - Brett Eliason Notas Christmas Single 2001. Tracks A1 and B1 - Live at Bridge School Benefit, Shoreline Amphitheater, San Francisco. October 21, 2001 Track C1 - Live at Groundwork Benefit, Key Arena, Seattle. October 22, 2001 Track D1 - Recorded at Horseback Court in Montana. May 22 + October 10, 2001
R$ 339
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Recife (Pernambuco)
Olá somos a loja DivanoInstrumentos todos os nossos produtos são cuidadosamente selecionados para melhor satisfação dos clientes. Todos os nossos produtos acompanham nota fiscal eletrônica e enviamos para todo Brasil. Não aceitamos trocas, somente venda. Pedal M.I. Audio Crunchbox - em Excelente estado de conservação, somente o pedal sem caixas e manuais. Pedal em perfeito estado de funcionamento. The MI Audio Crunch Box Distortion Guitar Effects Pedal brings you high-gain British amp distortion in a stompbox. MI Audio did a careful study of the way that modern British style amps get their overdrive and found that there was a very big concentration of the frequency information in the midrange. The Crunch Box distortion pedal captures the huge crunch of a Marshall amp on steroids and has become one of MI Effects most popular pedals. The Crunch Box is of the fastest selling boutique distortion pedals in the world. Simple and straightforward, with just gain, tone, volume and an internal presence control, the Crunch Box is based on a multiple clipping architecture (the signal is clipped 3 times. In the lower gain range, the pedal's tone is very punchy and throaty. There are some great classic rock rhythm sounds to be found in there. As the gain is wound up, the Crunch Box develops a beautiful singing lead tone. Pinch harmonics are a breeze. The tone control has a wide sweep with a lot of top end. I have put in there more gain than anyone should need, but due to the way I handled the pre-overdrive tone shaping, the pedal always stays tight and each pickup retains its character, including single coils. The Crunch Box has a lot of volume up its sleeve. You will find though that 12 O'clock is close to 'neutral'. An Internal Presence Control helps control the 'shape' of the pedal. By winding up the presence control, the lows won't feel as powerful, which some people might find to be a bit too much. Also, this creates the effect of giving the pedal even more top end. So with the new Crunch Box, there is no chance that the pedal will be too dark. The Internal Presence Control is very useful if you wish to match the Crunch Box to your amp because some amps can be a lot brighter/darker than others. Features High Gain British Distortion at its best 3 external and one internal control Gain ? from the lightest breakup to insane high gain scream Tone ? custom taper control which adjusts the high end cut of the pedal. Volume ? tapered for a more gradual and controlled volume sweep. Internal Presence control - for adjusting the 'shape' of the Crunch Box's sonic footprint. Professionally powder-coated and silk-screened enclosure, measuring only 4.3/
R$ 550
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Brasil (Todas as cidades)
Nikon Digital SLR Camera D3100 Specifications Type Type Single-lens reflex digital camera Lens mount Nikon F mount (with AF contacts) Effective angle of view Approx. 1.5 x lens focal length (Nikon DX format) Effective pixels Effective pixels 14.2 million Image sensor Image sensor 23.1 x 15.4 mm CMOS sensor Total pixels 14.8 million Dust-reduction system Image sensor cleaning, Airflow Control System, Image Dust Off reference data (optional Capture NX 2 software required) Storage Image size (pixels) " 4,608 x 3,072 [L] " 3,456 x 2,304 [M] " 2,304 x 1,536 [S] File format " NEF (RAW) " JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression " NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats Picture Control System Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified Media SD (Secure Digital), SDHC and SDXC memory cards File system DCF (Design Rule for Camera File System) 2.0, DPOF (Digital Print Order Format), Exif 2.21 (Exchangeable Image File Format for Digital Still Cameras), PictBridge Viewfinder Viewfinder Eye-level pentamirror single-lens reflex viewfinder Frame coverage Approx. 95% horizontal and 95% vertical Magnification Approx. 0.8 x (50 mm f/1.4 lens at infinity, -1.0 m-1) Eyepoint 18 mm (-1.0 m-1) Diopter adjustment -1.7 to +0.5 m-1 Focusing screen Type B BriteView Clear Matte Mark VII screen Reflex mirror Quick return Lens aperture Instant return, electronically controlled Lens Compatible lenses " AF-S and AF-I: All functions supported. " Type G or D AF NIKKOR without built-in autofocus motor: All functions except autofocus supported. IX NIKKOR lenses not supported. " Other AF NIKKOR: All functions supported except autofocus and 3D color matrix metering II. Lenses for F3AF not supported. " Type D PC NIKKOR: All functions supported except autofocus and some shooting modes. " AI-P NIKKOR: All functions supported except autofocus and 3D color matrix metering II. " Non-CPU: Autofocus not supported. Can be used in exposure mode M, but exposure meter does not function. Note: Electronic rangefinder can be used if lens has a maximum aperture of f/5.6 or faster. Shutter Type Electronically controlled vertical-travel focal-plane shutter Speed 1/4000 to 30 s in steps of 1/3 EV, Bulb Flash sync speed X=1/200 s; synchronizes with shutter at 1/200 s or slower Release Release mode (single frame),(continuous),(self-timer),(quiet shutter release) Frame advance rate Up to 3 fps (manual focus, mode M or S, shutter speed 1/250 s or faster, and other settings at default values) Self-timer 2 s, 10 s Exposure Metering TTL exposure metering using 420-pixel RGB sensor Metering method " Matrix: 3D color matrix metering II (type G and D lenses); color matrix metering II (other CPU lenses) " Center-weighted: Weight of 75% given to 8-mm circle in center of frame " Spot: Meters 3.5-mm circle (about 2.5% of frame) centered on selected focus point Range (ISO 100, f/1.4 lens, 20°C/68°F) " Matrix or center-weighted metering: 0 to 20 EV " Spot metering: 2 to 20 EV Exposure meter coupling CPU Exposure modes Auto modes (auto, auto [flash off]); scene modes (portrait; landscape; child; sports; close up; night portrait); programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M) Exposure compensation -5 to +5 EV in increments of 1/3 EV Exposure lock Luminosity locked at detected value with AE-L/AF-L button ISO sensitivity (Recommended Exposure Index) ISO 100 to 3200 in steps of 1 EV; can also be set to approx. 1 EV above ISO 3200 (ISO 6400 equivalent) or to approx. 2 EV above ISO 3200 (ISO 12800 equivalent); auto ISO sensitivity control available Active D-Lighting On, Off Focus Autofocus Nikon Multi-CAM 1000 autofocus sensor module with TTL phase detection, 11 focus points (including one cross-type sensor), and AF-assist illuminator (range approx. 0.5 to 3m/1 ft. 8 in. to 9 ft. 10 in.) Detection range -1 to +19 EV (ISO 100, 20°C/68°F) Lens servo " Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); auto AF-S/AF-C selection (AF-A); predictive focus tracking activated automatically according to subject status " Manual focus (MF): Electronic rangefinder can be used Focus point Can be selected from 11 focus points AF-area mode Single-point AF, dynamic-area AF, auto-area AF, 3D-tracking (11 points) Focus lock Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button Flash Built-in flash Auto, Portrait, Child, Close up, Night portrait: Auto flash with auto pop-up P, S, A, M: Manual pop-up with button release Guide number Approx. 12/39, 13/43 with manual flash (m/ft, ISO 100, 20°C/68°F) Flash control " TTL: i-TTL balanced fill-flash and standard i-TTL flash for digital SLR using 420-pixel RGB sensor are available with built-in flash and SB-900, SB-800, SB-600, or SB-400 (i-TTL balanced fill-flash is available when matrixor center-weighted metering is selected) " Auto aperture: Available with SB-900/SB-800 and CPU lens " Non-TTL auto: Supported flash units include SB-900, SB-800, SB-80DX, SB-28DX, SB-28, SB-27, and SB-22S " Distance-priority manual: Available with SB-900 and SB-800 Flash mode Auto, auto with red-eye reduction, fill-flash, auto slow sync, auto slow sync with red-eye correction, and rear curtain with slow sync Flash compensation -3 to +1 EV in increments of 1/3 EV Flash-ready indicator Lights when built-in flash or optional flash unit such as SB-900, SB-800, SB-600, or SB-400 is fully charged; blinks for 3 s after flash is fired at full output Accessory shoe ISO 518 hot-shoe with sync and data contacts and safety lock Nikon Creative Lighting System (CLS) Advanced Wireless Lighting supported with SB-900, SB-800, or SU-800 as commander; Flash Color Information Communication supported with built-in flash and all CLS-compatible flash units Sync terminal Sync Terminal Adapter AS-15 (available separately) White balance White balance Auto, incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual, all except preset manual with fine tuning. Live View Lens servo " Autofocus (AF): Single-servo AF (AF-S); full-time-servo AF (AF-F) " Manual focus (MF) AF-area mode Face-priority AF, wide-area AF, normal-area AF, subject-tracking AF Autofocus Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected) Scene Auto Selector Available in auto and auto (flash off) modes Movie Metering TTL exposure metering using main image sensor Metering method Matrix Frame size (pixels) and frame rate " 1,920 x 1,080 (24p): 24 fps (23.976 fps) " 1,280 x 720 (30p): 30 fps (29.97 fps) " 1,280 x 720 (25p): 25 fps " 1,280 x 720 (24p): 24 fps (23.976 fps) " 640 x 424 (24p): 24 fps (23.976 fps) Maximum recording time 10 min. File format MOV Video compression H.264/MPEG-4 Advanced Video Coding Audio recording format Linear PCM Audio recording device Built-in monaural microphone Monitor LCD monitor 7.5-cm/3-in., approx. 230 k-dot TFT LCD with brightness adjustment Playback Playback function Full-frame and thumbnail (4, 9, or 72 images or calendar) playback with playback zoom, movie playback, slide show, histogram display, highlights, auto image rotation, and image comment (up to 36 characters) Interface USB Hi-Speed USB Video output NTSC, PAL HDMI output Type C mini-pin HDMI connector Accessory terminal " Remote cord: MC-DC2 (available separately) " GPS unit: GP-1 (available separately) Supported languages Supported languages Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Indonesian, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Russian, Spanish, Swedish, Turkish Power source Battery One Rechargeable Li-ion Battery EN-EL14 AC adapter AC adapter EH-5a; requires power connector EP-5A (available separately) Tripod socket Tripod socket 1/4 in. (ISO 1222) Dimensions / weight Dimensions (W x H x D) Approx. 124 x 96 x 74.5 mm (4.9 x 3.8 x 2.9 in.) Weight Approx. 505 g (1lb. 1.8 oz.) with battery and memory card but without body cap; Approx. 455 g / 1lb. (camera body only) Operating environment Temperature 0 to 40°C (32 to 104°F) Humidity Less than 85% (no condensation) Accessories Supplied accessories (may differ by country or area) Rechargeable Li-ion Battery EN-EL14, Battery Charger MH-24, Eyepiece Cap DK-5, Rubber Eyecap DK-20, Camera Strap AN-DC3, Accessory Shoe Cover BS-1, Body Cap BF-1B, ViewNX 2 CD-ROM, Ferrite Core (2 types) * Microsoft and Windows, Windows 7 are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. * Macintosh and QuickTime are registered trademarks or trademarks of Apple Inc. in the United States and/or other countries. * The SD logo is a trademark of the SD Card Association. * The SDXC logo is a trademark. * PictBridge is a trademark. * HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC. * Products and brand names are trademarks or registered trademarks of their respective companies. * Images in viewfinders, on LCDs and monitors shown in this website are simulated. Memory card capacity*1 The following table shows the approximate number of pictures that can be stored on a 4 GB SanDisk Extreme SDHC card at different image quality and size settings. Image quality Image size File size*1 No. of images*1 Buffer capacity*2 NEF (RAW) + JPEG fine*3 L 19.8 MB 151 9 NEF (RAW) - 12.9 MB 226 13 JPEG fine L M S 6.8 MB 3.9 MB 1.8 MB 460 815 1700 100 100 100 JPEG normal L M S 3.4 MB 2.0 MB 0.9 MB 914 1500 3300 100 100 100 JPEG basic L M S 1.7 MB 1.0 MB 0.5 MB 1700 3000 6000 100 100 100 *1: All figures are approximate. File size varies with scene recorded. *2: Maximum number of exposures that can be stored in memory buffer at ISO 100. Drops when noise reduction is on. *3: Image size applies to JPEG images only. Size of NEF (RAW) images can not be changed. File size is the total for NEF (RAW) and JPEG images. Approved memory cards The following SD memory cards have been tested and approved for use in the D3100. Cards with class 6 write speeds are recommended for movie recording. Recording may end unexpectedly when cards with slower write speeds are used. SD memory cards SDHC memory cards*2 SDXC memory cards*3 SanDisk 512 MB¿1GB¿2GB*1 4GB¿8GB¿16GB 64GB Toshiba 512 MB¿1GB¿2GB*1 4GB¿8GB¿16GB¿32GB 64GB Panasonic 512 MB¿1GB¿2GB*1 4GB¿6GB¿8GB¿12GB¿16GB¿32GB 48GB¿64GB LEXAR MEDIA 512 MB¿1GB¿2GB*1 4GB¿8GB - Platinum II 512 MB¿1GB¿2GB*1 4GB¿8GB - Professional 512 MB¿1GB¿2GB*1 4GB¿8GB¿16GB¿32GB - *1: Check that any card readers or other devices with which the card will be used support 2 GB cards. *2: Check that any card readers or other devices with which the card will be used are SDHC-compliant. *3: Check that any card readers or other devices with which the card will be used are SDXC-compliant. Notes: * Please check with the SD card manufacturer regarding features, specifications, warranty, and other items. Nikon cannot assure compatibility with SD cards not listed above. * Limited to cards tested at the time of July 2010. Additional cards may be fully compatible. Contact Nikon Customer Service for additional information.
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Brasil (Todas as cidades)
Novidade da Orange, o Crush 12 é o menor amplificador no formato da linha Crush, desenvolvido para guitarristas com a noção de atitude que o timbre analógico possui. Este combo de um canal apresenta equalização de 3 bandas e controle de Overdrive para timbres variados, do timbre ríspido e limpo aos timbres mais vintages produzidos por um Orange, tornando-se um fator inconfundível na hora de se tocar. O falante Voice Of The World de 12¿ do Crush assegura ao amplificador que sempre mantenha um timbre potente e articulado, apesar de suas dimensões inferiores. Sua saída CabSim para headphone lhe garante timbres altos e sem ruídos, sem aumentar o volume, fazendo deste combo o amp ideal para prática de guitarristas de todos os níveis. Nosso compromisso com o circuito analógico em uma era digital assegura aos modelos Crush que possuam a vivacidade e responsabilidade pela qual a Orange é conhecida, inspirando guitarristas a tocar seus instrumentos, e não a se prenderem à tecnologia. O controle de Overdrive do Crush 12 pode ser usado para esculpir uma ampla gama de timbres sujos e pesados, até timbres mais suaves, ricos e cheios. Sua nova seção de equalização vocalizada lhe permite obter um maior controle sobre o som que se produz. A saída para headphone/linha do Crush 20RT inclui a característica CabSim, que simula o som de um cabinet Orange 4×12 com falante Voice Of The World. Use os headphonespara prática ou conecte-o a um mixer ou console de gravação para obter o autêntico som de um Orange no estúdio. Seus falantes “Voice Of The World” apresentam o equilíbrio perfeito entre graves modernos e agudos vintage e potentes, mantendo a clareza em sua sonoridade quando se é solicitado. O acabamento do Crush é estilizado com o lendário Orange Basket Weave Tolex em vinil, Woven Speaker Grille, e claro, a assinatura Orange! Características: Entrada para guitarra (P10) Amplificador de estado sólido (transistorizado) Potência: 12W Alto-falante: Voice Of The World de 6 polegadas Single Channel com controle de Overdrive, Gain, Volume, Treble, Middle, Bass Saída (P10) para Fone de Ouvido (CabSim) Alimentação: bivolt (110 ou 220) Acabamento em vinil laranja Tela em tecido Dimensões (cm): 30.5 (largura) x 29 (altura) x 17.5 (profundidade) Peso: 4.7 kg Conteúdo Amplificador Manual Cabo de energia Orange: A Orange Amps, é um ícone cultural e o favorito dos maiores músicos e bandas, como PJ Harvey, Portishead, Fleetwood Mac, U2, Arctic Monkeys, New York Dolls, Black Eyed Peas, T-Rex, Moby, ZZ Top, Bloc Party, Blue Man Group, Gary Moore, The Pretenders, Cage the Elephant, Black Crowes, CSS, Death Cab for Cutie, Johnny Winter, Deftones, Evanescence, Steve Winwood, Faithless, Black Sabbath, Fatboy Slim, Jimmy Page, Paul Weller, Juliette and the Licks, Alanis Morissette, Kaiser Chiefs, Kid Rock, Limp Bizkit, Oasis, AC/DC, só para citar alguns. Confira o som e a qualidade dos amps laranja que conquistaram o mundo e torne-se um fã também!
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Salvador (Bahía)
Pre-amp valvulado cópia do Vox Top Boost. Fabricado pela Kingsley Amplifiers no Canadá, com fila de espera. - Overview The Squire preamp pedal is suitable for running directly into a power amplifier, running into the effects return of an amplifier?s effects loop, recording direct when combined with a cabinet simulator or for use as a booster/second clean sound when plugged into the front end of another guitar amplifier. There are three models to choose from: the original Squire, inspired by the Dumble clean channel; the Squire BF, similar to a black face fender circuit and the Squire TB, modeled after the Vox top boost circuit. The single Tungsol 12ax7 runs at high voltage for a full, rich and dynamic tube sound. The 9VDC power supply (provided) is converted to both 6.3VDC for the tube heaters and 250VDC for the tube plates. - Features All three Squire models have controls for treble, bass and volume, as well as a 3-way mode switch. The first position of the mode switch allows the high-end presence to be rolled off, for a smooth and warm tone. Mode two is the stock position for each Squire model. Mode 3 acts as a bright switch and adds some extra top end just like a bright switch on an amp. Measurements: 3 7/8? wide x 4 ¾? deep x 2.56/
R$ 4.255
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