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Vinil da banda The Cranberries "Everbody Else Is Doing It So Why Can't We?". O LP foi comprado no Canadá e nunca foi usado :)

Produto novo nuca usado! Beyerdynamic Dt 1990 Pro Ideal for Editing, Mixing, and Mastering With an open-back design plus Beyerdynamic's innovative Tesla drivers, the DT 1990 Pro headphones are ideal for listening, mixing, and even mastering. Engineers at Sweetwater know that every component of your headphones makes a sonic impact, and that's why we're pleased to see the DT 1990 Pro headphones come with two sets of earpads with different sonic characteristics (analytical and balanced). Two cables (coiled and straight) and a premium hard case are also included. Beyerdynamic headphones are known worldwide for delivering outstanding sound quality and professional reliability. For reference-quality sound in a pair of rugged headphones, it's hard to beat the Beyerdynamic DT 1990 Pro open-back studio headphones. Beyerdynamic DT 1990 Pro Open-back Headphones Features at a Glance: Open-back studio headphones for editing, mixing, and mastering 45mm Tesla neodymium drivers deliver powerful lows, detailed mids, and smooth highs Includes two sets of earpads with different sonic characteristics (analytical and balanced) Includes straight and coiled cables and a hard case Monitor with headphones you can trust - Beyerdynamic's DT 1990 Pro. Tech Specs Open/Closed: Open Fit Style: Circumaural Driver Size: 45mm Frequency Response: 5Hz-40kHz Impedance: 250 ohms Cable Type: Coiled and Straight included Replaceable Cable: Yes Cable Length: 9.8 ft. straight, 16.4 ft. coiled Plug Size: 1/8" (1/4" adapter included) Color: Black Weight:.81 lbs

We are a large musical instrument trading company, who enjoyed good reputation for many years.all brand new models of Musical instrument such as Saxophone,Drum Set,Trumpet,Keyboard,Guitar,Digital Piano,and many more at very cheap price with complete accessories. We can offer you a reasonable competitive prices!!!! **Note : Contact us if you want the price and more details about the instrument..we also offer you so much discount on the keyboard..the instruments are cheap. Below are few of our products. Yamaha Tyros5-76 - Arranger Workstation AC Power Cable Wireless LAN Adapter Music Rest 2 x Music Rest Brackets Owner's Manual One (1) Year Warranty Why buy from us? * Your privacy is assured * Secure transaction guaranteed * We offer 90 days return policy and 100% money back guarantee. Contact Name: Henry Gustavo Email: H.Gustavo@outlook.com Gmail: Henrygustavo209@gmail.com SKYPE: Enquiry-musicalstore WHATSAPP: +1(403) 618-3970

Produto Novo/Lacrado. OBS: Não foi possível disponibilizar algumas fotos pois o site possui um sistema muito "inteligente" de checagem que considera algumas palavras impressas como sendo informações de contato ou dados pessoais, e não permite que a foto seja adicionada no anúncio. Tracklist CD-1 Everybody Else Is Doing It, So Why Can't We (The Complete Sessions 1991-1993) 1-01 I Still Do 3:17 1-02 Dreams 4:32 1-03 Sunday 4:20 1-04 Pretty 2:16 1-05 Waltzing Back 3:38 1-06 Not Sorry 4:20 1-07 Linger 4:34 1-08 Wanted 2:07 1-09 Still Can't... 3:40 1-10 I Will Always 2:42 1-11 How 2:51 1-12 Put Me Down 3:33 1-13 Reason 2:02 1-14 Them 3:42 1-15 Wh-t You Were 3:41 1-16 Liar 2:22 1-17 Pretty (Pret A Porter Movie Remix) 3:41 1-18 How (Radical Mix) 2:58 CD-2 No Need To Argue (The Complete Sessions 1994-1995) 2-01 Ode To My Family 4:31 2-02 I Can't Be With You 3:07 2-03 Twenty One 3:07 2-04 Zombie 5:06 2-05 Empty 3:26 2-06 Everything I Said 3:52 2-07 The Icicle Melts 2:54 2-08 Disappointment 4:14 2-09 Ridiculous Thoughts 4:31 2-10 Dreaming My Dreams 3:37 2-11 Yeat's Grave 2:59 2-12 Daffodil Lament 6:14 2-13 No Need To Argue 2:57 2-14 Away 2:38 2-15 I Don't Need 3:32 2-16 (They Long To Be) Close To You 2:41 2-17 So Cold In Ireland 4:45 2-18 Zombie (A Camel's Hump Remix) (Featuring [Skank] - David Jarrow, Remix - The Orb) 7:54 CD-3 To The Faithful Departed (The Complete Sessions 1996-1997) 3-01 Hollywood 5:08 3-02 Salvation 2:23 3-03 When You're Gone 4:56 3-04 Free To Decide 4:25 3-05 War Child 3:50 3-06 Forever Yellow Skies 4:09 3-07 The Rebels 3:20 3-08 Intermission 2:01 3-09 I Just Shot John Lennon 2:41 3-10 Electric Blue 4:51 3-11 I'm Still Remembering 4:48 3-12 Will You Remember? 2:49 3-13 Joe 3:22 3-14 Bosnia 5:40 3-15 Cordell 3:41 3-16 The Picture I View 2:28 3-17 Ave Maria (Featuring - Luciano Pavarotti) 4:13 3-18 Go Your Own Way 4:03 3-19 God Be With You 3:34 CD-4 Bury The Hatchet (The Complete Sessions 1998-1999) 4-01 Animal Instinct 3:31 4-02 Loud And Clear 2:45 4-03 Promises 5:27 4-04 You And Me 3:35 4-05 Just My Imagination 3:41 4-06 Shattered 3:42 4-07 Desperate Andy 3:44 4-08 Saving Grace 3:08 4-09 Copycat 2:53 4-10 W--t's On My M-nd 3:12 4-11 Delilah 3:32 4-12 Fee Fi Foo 4:47 4-13 Dying In The Sun 3:32 4-14 Sorry Son 3:28 4-15 Baby Blues 2:38 4-16 Sweetest Thing 3:34 4-17 Woman Without Pride 2:26 4-18 Such A Shame 4:23 4-19 Paparazzi On Mopeds 4:43 Notas Limited edition cd-box which includes the first four albums remastered as complete sessions 1991 - 1999 including extra tracks. CD1: Everybody Else Is Doing It, So Why Can't We (The Complete Sessions 1991-1993) (Cat# 586 708-2) Tracks 1-13 - 1-18 are bonus tracks CD2: No Need To Argue (The Complete Sessions 1994-1995) (Cat# 586 709-2) Tracks 2-14 - 2-18 are bonus tracks. Track 2-16 was originally done by Burt Bacharach and featured on his album "Interpretations". CD3: To The Faithful Departed (The Complete Sessions 1996-1997) (Cat# 586 710-2) Track 3-15 - 3-19 are bonus tracks CD4: Bury The Hatchet (The Complete Sessions 1998-1999) (Cat# 586 750-2) Tracks 4-15 - 4-19 are bonus tracks

UMA VERDADEIRA OBRA DE ARTE EM PERFEITO ESTADO DE CONSEVAÇÃO Tampo e Laterais: Cedro AAA Fundo:Jacarandá Tamanho da Escala: 656mm José Ramírez III (1922 ? 1995) was without doubt one of the most influential and important luthiers in the second part of the 20th century. His guitars influenced hundreds of instrument makers, many of whom imitated him, and thousands of guitarists around who played his instruments. Indirectly, he even influenced composers of the guitar who found for the first time that their music could be heard in large concert halls instead of small chamber music environments. It could be argued that José III had a more profound effect on the development of the modern guitar than any other guitar maker in history. So what was his secret, and why do we make such sweeping claims about his importance? One paramount reason is that José III was the first and only luthier to be able to standardize the process of making a classical guitar such that it could be built by any well-trained artisan, according to his precise plan and under his supervision. Moreover, the design was such that these instruments, although not made by him personally, stood up to and often exceeded the quality of the best handmade instruments of the day. ¿José Ramírez III was born in Buenos Aires, Argentina, in 1922. His father José II had left Spain for a brief tour of South America after the turn of the century and ended up staying for nearly 20 years. In I923, on the news of the death of his own father, José II moved the family back to Madrid, and it was at this time that he took over his late father?s guitar workshop. At the age of 18, José III began working as an apprentice and within a few years was building guitars and experimenting on his own. In I957, he took over the duties as ?maestro? (master) of the Ramírez workshop, which by now had spanned three generations, and he continued to develop what would become the Ramírez concert guitar that we know today. This instrument was typified by its large body, long string length, and cedar or spruce top. It had great power, as well as sustain, sweetness, a fullness of tone and a balance across the entire register. José III died in 1995 at the age of 73. Probably his most enduring contribution was his role as a teacher and as a developer of talent. We often measure a man?s greatness not only by what he achieves in his lifetime, but by what he leaves behind for others to complete, and by how he influences those in his wake. From the 1960s to the 1990s, the José Ramírez workshop had assembled and trained many of the most talented guitarreros of José III?s generation, many of whom continue to work on their own with great individual success. This collection of greatness under one roof has only been approached by that of Manuel Ramírez (José III?s great-uncle) or his grandfather, José Ramírez I, whose workshops collectively included the likes of Santos Hernández, Enrique Garcia, Domingo Esteso, Emilio Pasqual Viudes, Modesto Borreguero, Julian Goméz Ramírez and many others. José III?s roster, however, is still unmatched when you consider the number of great luthiers who began their careers there. They include Paulino Bernabé, Manuel Contreras, Mariano Tezanos, Enrique Borreguero Marcos, Pedro Contreras Valbuena, Manuel González Contreras, Miguel Malo Martínez and so on. ?I make sure that everything is done exactly as I want it,? José III told George Clinton in 1984. ?The architect doesn?t have to get involved with the bricklaying. My pupils learn from me so they know exactly what is to be done, otherwise I would do it myself. The wood and the tools have no secrets from me, and if there are problems I have to sort them out.? Quantity is not always a virtue, especially in art or the work of artisans. However, in the case of José III, his guitars became the standard for musicians worldwide because he was able to produce roughly 20,000 concert instruments during

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everybody else is doing it, so why cant we? em ótimo estado de conservação.

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